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The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

Mdou Moctar featuring MC Yallah - "Tala Tannam" (Debmaster Remix)






(photo : WH Moustapha)

In September, Mdou Moctar and band will arrive in the US to begin a much-anticipated tour, with a number of dates already sold out.

Today, listen to “Tala Tannam” (Debmaster Remix), which flips the song’s gentle acoustic guitar vamp into a pulsing and percussive rhythm track for Kenya-born/Uganda-based rapper, MC Yallah (Nyege Nyege Tapes). “I've loved to work on my brother Mdou Moctar's track,” says Yallah. “Fusing hiphop with deep desert sounds really took me to a different place. I hope we meet in real life one day!”

stream / download "Tala Tannam" featuring MC Yallah (Debmaster remix)

Purchase or stream 'Afrique Victime'

Mdou Moctar on tour (new dates in bold)

2021
Thursday, September 2 The Grey Eagle, Asheville NC
Friday, September 3 Bonnaroo, Manchester TN
Saturday, September 4 Terminal West, Atlanta GA
Sunday, September 5 Motorco Music Hall, Durham NC
Tuesday, September 7 Ottobar, Baltimore MD (SOLD OUT)
Wednesday, September 8 Johnny Brenda’s, Philadelphia PA (SOLD OUT)
Thurdsday, September 9, Music Hall of Williamsburg, Brooklyn NY (SOLD OUT)
Friday, September 10 Music Hall of Williamsburg, Brooklyn NY (SOLD OUT)
Saturday, September 11 Gateway City Arts, Holyoke MA
Sunday, September 12 The Sinclair, Boston MA (SOLD OUT)
Tuesday, September 14 Thunderbird Café & Music Hall, Pittsburgh PA
Wednesday, September 15 Ace of Cups, Columbus OH (SOLD OUT)
Thursday, September 16 The Storehouse, Galien MI *SOLD OUT*
Friday, September 17 Lincoln Hall, Chicago IL (SOLD OUT)
Saturday, September 18 Cedar Cultural Center, Minneapolis MN
Monday, September 20 Globe Hall, Denver CO (SOLD OUT)
Tuesday, September 21 Globe Hall, Denver CO
Wednesday, September 22 Urban Lounge, Salt Lake City UT
Thursday, September 23 Treefort Music Festival, Boise ID
Friday, September 24 The Crocodile, Seattle WA
Saturday, September 25 Mississippi Studios, Portland OR (SOLD OUT)
Sunday, September 26 Mississippi Studios, Portland OR (SOLD OUT)
Monday, September 27 The Miniplex, Arcata CA *SOLD OUT*
Tuesday, September 28 The Chapel, San Francisco CA * SOLD OUT*
Wednesday, September 29 Starline, Oakland CA *SOLD OUT*
Saturday, October 2 Lodge Room, Los Angeles CA (SOLD OUT)
Sunday, October 3 Lodge Room, Los Angeles CA *SOLD OUT*


2022 :
Friday, April 1st Het Bos, Antwerpen [BE]
Saturday, April 2nd AB-club, Brussels [BE]
Sunday, April 3rd Bumann, Köln [DE]
Monday, April 4th Paradiso, Amsterdam [NL]
Tuesday, April 5th Effenaar, Eindhoven [NL]
Wednesday, April 6th, Komedia, Brighton [UK]
Thursday, April 7th Hare & Hounds, Birmingham [UK]
Friday, April 8th The Sugar Club, Dublin [IE]
Saturday, April 9th Ulster Sports Club, Belfast [UK]
Sunday, April 10th Drygate, Glasgow [UK]
Monday, April 11th The Brudenell Social Club, Leeds [UK]
Tuesday, April 12th YES, Manchester [UK]
Thursday, April 14th EartH Theatre, London [UK] (venue change)
Friday, April 15th : La cave aux Poètes, Roubaix/Lille [FR]
Saturday, April 16th Le Hasard Ludique, Paris [FR]
Sunday, April 17th Doornroosje, Nijmegen [NL]
Monday, April 18th Molotow - Hamburg [DE]
Tuesday, April 19th Alice, Copenhagen [DK]
Wednesday, April 20th Nefertiti, Gothenburg [SE]
Thursday, April 21st Blaa, Oslo [NO]
Friday, April 22nd, Fasching, Stockholm [SE]
Saturday, April 23rd Plan B, Malmö [SE]
Sunday, April 24th Frannz Club, Berlin [DE]
Monday, April 25th UT Connewitz, Leipzig [DE]
Tuesday, April 26th Meetfactory, Prague [CZ]
Wednesday, April 27th Kapu, Linz [AU]
Thursday, April 28th Rote Fabrik, Zurich [CH]
Sunday, May 1st De Post, Oostende [BE]

Mdou Moctar online
Official site
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MC Yallah Online
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The Goon Sax - "Desire"

 



"Desire"
directed by Eddie Whelan

Tomorrow, The Goon Sax will release their third album and Matador debut, 'Mirror II'. To mark the occasion, the band has posted a new single and video, “Desire,” which features Riley Jones on lead vocals.

Jones says of the track:
“When I wrote ‘Desire’, I lived with James and Louis in a share house in Paddington, Brisbane called Fantasy Planet. Technically, it was written out like “$ ? a Planet.” It was my friend Tim Green’s reference to the psychoanalytic theory of Jacques Lacan. In my basic understanding of the way Lacan theorized fantasy, desire is founded upon a lack. The diamond (?) represents all the ways we relate to a lost object: everything above, below, around, more than, less than, with, without, in spite of, and because of it. The cause of our desire is a gap that we are always trying to fill, even while it constantly evades us.

Desire is complex. Unconscious attachments hang on invisible threads. Fantasies and daydreams emerge, dangerous hallucinations cause reckless actions, misremembrance causes total distortion. I think that’s why we have to resort to symbols to express it. This song is my symbol (?). I wanted it to feel as expansive as a Les Rallizes Dénudés song - to reverberate beneath waters that flood all the crevices of the earth, to leave no gap unfilled and I wanted it to be as universal as one of those crushing Elvis songs - so poignant that its sentiment seems to ring out forever, just like Desire.”

presave/preorder 'Mirror II'

(limited quantity of signed photos of The Goon Sax available with purchase of 'Mirror II' from the band's webstore or direct from Matador)

The Goon Sax live :

Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK
Sunday, October 10 Sound City, Ipswich UK

The Goon Sax Online
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Twitter
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official website

VIDEO : The Goon Sax - "Psychic" (Live From Brisbane)



Prior to the July 9 release of The Goon Sax's eagerly awaited 3rd album, 'Mirror II', here's a live version of the album's "Psychic", recorded at Alchemix Studios, West End, Brisbane.


stream / download "Psychic"
presave/preorder 'Mirror II'


(limited quantity of signed photos of The Goon Sax available with purchase of 'Mirror II' from the band's webstore or direct from Matador)


The Goon Sax live :

Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK

The Goon Sax Online
Facebook
Twitter
Instagram
TikTok
official website

The Goon Sax - "Psychic"



"Psychic" - directed by Christine Marie Jones.



(photo : Hugo Nobay)

The Goon Sax return with “Psychic,” the second single from their third full-length and Matador Records debut, 'Mirror II'. The song is a slice of strobe-lit noise-pop – kinetic, hook-laden and touched with genuine dreaminess.

'Mirror II' is out July 9, 2021.
"'Psychic' exists in the fragile intersection of fantasy and reality – a supernatural world you escape into until you feel reality’s grip on your collar. As you’re dragged back to linear time and supposed objectivity, the supernatural reinstates its claim to a more powerful truth. Eventually, the friction between these worlds causes you to question your faith in both, wondering to what degree truth can be chosen and what forces from both are too strong for you to stand in their way. Much like "In the Stone," this song is a conversation. Two peoples’ truths of the search for this very thing." - Louis Forster

stream / download "Psychic"
presave/preorder 'Mirror II'


(limited quantity of signed photos of The Goon Sax available with purchase of 'Mirror II' from the band's webstore or direct from Matador)

The Goon Sax live :

Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK

The Goon Sax Online
Facebook
Twitter
Instagram
TikTok
official website

Lucy Dacus - "VBS" Lyric Video



Transcription by Jacob Blizard

Following last month's release of Marin Leong's animated video for Lucy Dacus' "VBS", today we're releasing the official lyric video.  "VBS" is culled from Dacus' forthcoming 3rd album, 'Home Video', available everywhere June 25.

stream / download "VBS"

presave/preorder 'Home Video'

Lucy Dacus On Tour


Wednesday, June 23 Red Rocks Amphitheater, Morrison CO @
Thursday, July 29 Levitt Pavilion SteelStacks !
Friday, July 30 Palladium, Worchester MA !
Saturday, July 31 Forest Hills Stadium, Queens NY !
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker, + Thao & The Get Down Stay Down
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker + Bachelor  (SOLD OUT)
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Wednesday, October 6 Bluebird Theater, Denver CO $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $ (SOLD OUT)
Saturday, October 23, 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY  (SOLD OUT)
Tuesday, October 26 Brooklyn Steel, Brooklyn NY

@ w/ Shakey Graves
! w/ Bright Eyes
* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
Website
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Facebook

Lucy Dacus - "VBS"



(video directed and animated by Marin Leong)



(photo : Ebru Yildiz)

Lucy Dacus presents “VBS,” a new single/video from her forthcoming album, 'Home Video', coming June 25th . Like the previously released “Hot & Heavy” and “Thumbs,” “VBS” starts the way a memoir might - “In the summer of ‘07 I was sure I’d go to heaven, but I was hedging my bets at VBS” - and presents the compassion, humor and honesty of the best autobiographical writing. “VBS” features Dacus on vocals, Jacob Blizard on a slew of electric and acoustic guitars and Jake Finch on drums and organ. The song’s opening melody is contained, feeling as intimate as whisper, before erupting into a wall of reverb and static, and eventually falling away as Dacus carries it out with only her voice. The beautifully animated “VBS” video was made by Dacus’ longtime creative collaborator and 'Home Video' visual director Marin Leong. It perfectly complements the song’s pacing and 'Home Video'’s overall visual presentation .

“VBS means vacation bible school, and I went to tons of them. It's where Christian parents send their kids over the winter, spring, or summer breaks from school to get closer to God, maybe learn some outdoor skills, and bring home useless crafts and totems like fruit of the spirit sand art and purity rings. I wrote the song in the van on the way to Nashville to record Home Video after seeing one of those readerboards outside a church advertising a wholesome church camp for kids. I thought about my first boyfriend, who I met at VBS, the resident bad boy who loved Slayer and weed more than Jesus. I took it upon myself to save him, and make him stop doing drugs (with an exception for snorting nutmeg). God, I was so lame.” - Lucy Dacus

"A lot of the album examines navigation of self and how it evolves, and Lucy and I have often talked about bodies, the part they play in our ideation of self, and both connection and disconnection to them. We arrived at this world where her physical self is being distorted by the landscape that she’s present in, both in a beautiful and slightly uncanny way. One of the reasons I find animation and music compelling is the freedom in world building, the ability to translate story and tone, and synthesize it into a visual landscape using imagery that isn’t necessarily rooted in reality. And although I was treating this video like a diptych or braided essay with the song, rather than an overt visual depiction, I was able to make some subtle but direct references to the lyrics as well, so I’m excited for people to find those." - Marin Leong

stream / download "VBS"

presave/preorder 'Home Video'



At 3pm today (May 19), Dacus and "VBS" director/animator Marin Leong will be taking questions at YouTube.

Lucy Dacus On Tour (New Dates In Bold)

Wednesday, June 23 Red Rocks Amphitheater, Morrison CO @
Thursday, July 29 Levitt Pavilion SteelStacks !
Friday, July 30 Palladium, Worchester MA !
Saturday, July 31 Forest Hills Stadium, Queens NY !
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker, + Thao & The Get Down Stay Down
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker + Bachelor  (SOLD OUT)
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Wednesday, October 6 Bluebird Theater, Denver CO $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $ (SOLD OUT)
Monday, October 25 Brooklyn Steel, Brooklyn NY
Tuesday, October 26 Brooklyn Steel, Brooklyn NY

 

@ w/ Shakey Graves
! w/ Bright Eyes
* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Mdou Moctar - "Taliat", Autumn US Tour Dates



Directed by Mikey Coltun
Edit & Animation by Sabrina Nichols



(photo : WH Moustapha)

Ahead of the release of his hotly-tipped new album 'Afrique Victime' this Friday, May 21st, Modu Moctar has released a further preview with the hypnotic new song "Taliat"

“Oh poor girl / She gave him her heart and he broke it / I pray to God to never experience unrequited love and the pain of a broken heart” Moctar sings in Tamasheq over lyrical electric guitar runs and ecstatic rhythm.

“Taliat means woman,” Moctar says. “In our community, women are queens, they have a lot of power, that why I use the term taliat to talk about them. A woman in the Tuareg community has to be protected, but she also has to be treated as equal.”

stream/download "Taliat"
presave / preorder 'Afrique Victime'



Mdou Moctar On Tour, Tickets On Sale Friday at 10am ET

Friday, September 3 Bonnaroo, Manchester TN
Sunday, September 5 Motorco Music Hall, Durham NC
Tuesday, September 7 Ottobar, Baltimore MD
Wednesday, September 8 Johnny Brenda’s, Philadelphia PA
Friday, September 10 Music Hall of Williamsburg, Brooklyn NY
Saturday, September 11 Gateway City Arts, Holyoke MA
Sunday, September 12 The Sinclair, Boston MA
Tuesday, September 14 Thunderbird Café & Music Hall, Pittsburgh PA
Wednesday, September 15 Ace of Cups, Columbus OH
Friday, September 17 Lincoln Hall, Chicago IL
Saturday, September 18 Cedar Cultural Center, Minneapolis MN
Monday, September 20 Globe Hall, Denver CO
Tuesday, September 21 Globe Hall, Denver CO
Wednesday, September 22 Urban Lounge, Salt Lake City UT
Thursday, September 23 Treefort Music Festival, Boise ID
Friday, September 24 The Crocodile, Seattle WA
Saturday, September 25 Mississippi Studios, Portland OR
Sunday, September 26 Mississippi Studios, Portland OR
Tuesday, September 28 The Chapel, San Francisco CA
Wednesday, September 29 Starline, Oakland CA
Friday, October 1 Desert Daze Pre-Party, Pioneertown CA
Saturday, October 2 Lodge Room, Los Angeles CA

Mdou Moctar online
Official site
Instagram
Facebook
Twitter

Mdou Moctar - "Chet Boghassa" (Tinariwen)



Mdou Moctar covering Tinariwen's "Chet Boghassa"
Live in Niamey, Niger, Winter 2021
Footage shot by: Mamadou Halidou & WH Moustapha / Dynamique image
Audio Recorded by: Mikey Coltun
Mixed and Mastered by Seth Manchester at Machines with Magnets

presave / preorder 'Afrique Victime'

Mdou Moctar online
Official site
Instagram
Facebook
Twitter

Coming July 9 : The Goon Sax - 'Mirror II'





(photo : Elliott Lauren)



"In The Stone"
Directed by Mara Palena

The Goon Sax have announced a new album 'Mirror II', to be released July 9th on Matador Records. The band’s third full-length and first for Matador, 'Mirror lI' is a new beginning: a multi-dimensional eclectic journey of musical craftsmanship that moves from disco to folk to no wave skronk with staggering cohesion. The first-person narratives of their school days have graduated into an immersive and fluid world, one where “the narrator changes, the view-point isn’t definitive”. Songs have been made expansive, more universal, more weird— as introduced by the supernatural avant-pop of first single ‘In The Stone,’ directed by Mara Palena.

(presave / preorder 'Mirror II')
(stream / download "In The Stone")

“‘In The Stone’ is set in Berlin where I moved with my partner at the time, just after finishing school and recording our last album We’re Not Talking at the end of 2017,” says Louis Forster. “We were both exploring ourselves - accepting each other's changes and celebrating flux - but also reckoning with the complicated need for a solid sense of self and the person we loved. Musically the song was influenced by what was playing in the background of our conversations which often took place in Ubers, supermarkets, outside parties etc. So, it probably bears more of a subconsciously absorbed modern pop influence than anything else we’ve done as a band.”

The band have also confirmed a run of UK dates in September, including a headline show at London’s MOTH Club on September 6th and a slot at End Of The Road festival. A full list of dates can be found below.
Since forming in high school, Brisbane band The Goon Sax— the trio of Riley Jones, Louis Forster, and James Harrison, best friends who take turns writing, singing, and playing each instrument— have been celebrated for their kinetic homemade pop.

On their debut album, 2016’s Up to Anything, it was their candid affection and scrappy instrumentation that drew praise; 2018’s We’re Not Talking was exalted for the same—their massive choruses, a sharpening of their craft, then with an addition of horns, strings, piano, and castanets to their guitar/bass/drums.

'Mirror ll', recorded in Bristol at Invada Studios, owned by Geoff Barrow of Portishead and Beak, with producer John Parish (Aldous Harding, PJ Harvey), is the result of three years of writing, and some considerable time spent apart: Louis relocated to Berlin and worked at a cinema (he sings in German on the track ‘Bathwater’), Riley and James formed an angular post-punk band called Soot. All three experimented with abstract, atonal sounds before recapturing the essence of The Goon Sax: “pop melody,” Louis explains. “The first two albums are inherently linked. They had three-word titles; they went together. This one definitely felt like going back to square one and starting again, and that was really freeing.”

“We lived in a shared house together, this tiny little Queenslander we called ‘Fantasy Planet,’ where we wrote the album,” Riley explains. “We were able to go to each other’s rooms and say anything that came to mind and go to the practice room three times a week. It was pretty intense.”

'Mirror II'  is intense, the sum of everything that has always made The Goon Sax great: robust sprechgesang, raw lyrical candor, ascending guitar pop structures that would make the most storied jangle bands blush, elevated into their newfound narrative verisimilitude and expanded sonic experimentations.

Riley’s bubblegum noise is more present than ever before (“Desire”, “Tag”) reflecting her heavy Les Rallizes Dénudés and Keiji Haino influence, and some Kylie Minogue-inspired “sparkle sound”.

Louis’ moody, shapeshifting pop (“Psychic”, “In the Stone”) stems from an admiration for HTRK, Young Marble Giants, Stereolab, The Motels’ ‘Total Control’, Justin Beiber’s ‘Sorry’, Chris Kraus’s I Love Dick and Diane Di Prima’s Memoirs of a Beatnik in equal measure.

James’ psychedelic folk (“Carpetry”, “Caterpillars”) is no doubt studied from The Walker Brothers, Jandek, Felt, and Pink Floyd’s Syd Barrett. “I got into Syd Barrett’s lyrics because they were hazy, relatable and honest but up in the air. That’s how I felt,” he says of his whimsical songs. “I was experiencing romantic love for the first time, it felt out of my control, and there’s something about Syd Barrett’s lyrics… it doesn’t just come from inside us; it is the moments that are happening to us as well.”

Those uninhibited combinations wouldn’t work for most bands, but then again, The Goon Sax aren’t most bands: their deep trust in one another is the very spirit of 'Mirror ll'. “I was reading 'The Philosophy of Andy Warhol' the other day. He said something so perfect… ‘I’m sure I’m going to look in the mirror and see nothing. People are always calling me a mirror, and if a mirror looks into a mirror, what is there to see?’” Riley recites. “The name ['Mirror II'] was totally arbitrary to begin with, but it became about reflecting on reflection: we all get so influenced by each other. You find other people who show you yourself, who you are.” - Maria Sherman.

'Mirror II' Tracklist
01. In the Stone
02. Psychic
03. Tag
04. Temples
05. The Chance
06. Bathwater
07. Desire
08. Carpetry
09. Til Dawn
10. Caterpillars

‘Mirror II’ is available on LP in a die-cut sleeve, available on white vinyl at participating independent record stores, on CD, and with a new t-shirt available exclusively on the Matador webstore. Orders will be accompanied by a glossy photo print signed by the band while supplies last. The Goon Sax is distributed by Chapter Music in Australia and New Zealand.





The Goon Sax On Tour, (Dates in Bold On Sale Friday at 10am UK)

Friday, May 21 The Zoo, Brisbane AU
Saturday, May 29 Mary’s Underground, Sydney AU
Thursday, June 3 Rising Festival, Melbourne AU
Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK


The Goon Sax Online
Facebook
Twitter
Instagram
TikTok
official website

The Goon Sax - "In The Stone" Video Coming May 12



Premiering tomorrow (Wednesday, May 12) at 10am eastern,
The Goon Sax - "In The Stone"

The Goon Sax Online
Facebook
Twitter
Instagram
TikTok
official website

Mdou Moctar - "Afrique Victime" Lyric Video



"Afrique Victime" lyric video (English)



"Afrique Victime"  (French)

Motion design by Michael Speed

'Afrique Victime' is available everywhere on LP, CD and digital formats May 21.

stream / download "Afrique Victime"
presave / preorder 'Afrique Victime'

Mdou Moctar online
Official site
Instagram
Facebook
Twitter

Lucy Dacus - "Hot & Heavy" Lyric Video



(transcription by Jacob Blizard)

Following Lucy Dacus' video for "Hot & Heavy" (co-directed by  Marin Leong) earlier this month, this morning marks the release of a lyric clip for the second single from Dacus' eagerly anticipated 3rd album, 'Home Video' (out June 25).

stream/download "Hot & Heavy"
presave/preorder 'Home Video'

Lucy Dacus On Tour
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY

* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Lucy Dacus - 'Home Video' Coming June 25





"Hot & Heavy", Directed by Lucy Dacus & Marin Leong, Co-directed by Jordan Rodericks.



(photo : Ebru Yildiz)

Lucy Dacus's long awaited 3rd album, 'Home Video', is out June 25th, and today releases the lead single/video, “Hot & Heavy,” which she’ll perform tonight on "The Late Show with Stephen Colbert". Additionally, she has confirmed a September/October 2021 North American tour (dates below). The follow-up to 2018’s 'Historian 'and her 2016 debut 'No Burden', 'Home Video' was built on Dacus’ interrogation of her coming-of-age years in Richmond, Virginia. Many of the songs start the way a memoir might, and all of them have the compassion, humor, and honesty of the best autobiographical writing. These songs capture that specific moment in time growing up where emotions and relationships start becoming more complex. They capture the joys, the excitement, the confusion, and even the heartbreak of going through the process of discovering who you are and where people fit in your life and where you fit in theirs. Most importantly and mysteriously, this album displays Dacus’s ability to use the personal as portal into the universal.



“I thought I was writing ‘Hot & Heavy’ about an old friend, but I realized along the way that it was just about me outgrowing past versions of myself,” explains Dacus. “So much of life is submitting to change and saying goodbye even if you don't want to. Now whenever I go to places that used to be significant to me, it feels like trespassing the past. I know that the teen version of me wouldn't approve of me now, and that's embarrassing and a little bit heartbreaking, even if I know intellectually that I like my life and who I am.”

The accompanying, self-directed video was shot in the historic Byrd Theatre in Richmond where Dacus often saw movies during her adolescent years.

“I knew I wanted to include some of the home video footage that my dad took of me while I was growing up. I wanted to visualize the moment when you first reflect on your childhood, which I think can also be the moment that childhood is over. For me, I feel like there was a hard switch when I started releasing music, when my identity went from being a personal project to something publicly observed and reflected. I asked my family (shoutout to my grandma) and some of my closest friends to be extras because they're the people that knew me before that switch. I may have dropped out of film school, but I still love making movies and had a really fun time directing this one.”

stream/download "Hot & Heavy"
presave/preorder 'Home Video'

Home Video Tracklist
01. Hot & Heavy
02. Christine
03. First Time
04. VBS
05. Cartwheel
06. Thumbs
07. Going Going Gone
08. Partner in Crime
09. Brando
10. Please Stay
11. Triple Dog Dare












'Home Video' : a Foreword

There are a thousand truisms about home and childhood, none of them true but all of them honest. It’s natural to want to tidy those earliest memories into a story so palatable and simple that you never have to read again. A home video promises to give your memories back with a certificate of fact— but the footage isn’t the feeling. Who is just out of frame? What does the soft focus obscure? How did the recording itself change the scene?

Some scrutinize the past and some never look back and Lucy Dacus, a lifelong writer and close reader, has long been the former sort. “The past doesn’t change,” Dacus said on a video call during that interminable winter of video calls. “Even if a memory is of a time I didn’t feel safe, there’s safety in looking at it, in its stability.”

This new gift from Dacus, 'Home Video', her third album, was built on an interrogation of her coming-of-age years in Richmond, Virginia. Many songs start the way a memoir might—“In the summer of ’07 I was sure I’d go to heaven, but I was hedging my bets at VBS”—and all of them have the compassion, humor, and honesty of the best autobiographical writing. Most importantly and mysteriously, this album displays Dacus’s ability to use the personal as portal into the universal. “I can’t hide behind generalizations or fiction anymore,” Dacus says, though talking about these songs, she admits, makes her ache.

While there’s a nostalgic tint to much of Dacus’s work, the obliquely told stories in past songs are depicted here with greater specificity. "Triple Dog Dare" recounts young, queer love complicated and forbidden by religion. The toxic relationship depicted in "Partner in Crime" is filled with pining, deceit, and meeting curfew. (“My heart’s on my sleeve/ it’s embarrassing/ the pulpy thing, beating.”) "Christine" is an elegiac ballad about a close friend vanishing into an inhibiting relationship.

As is often the case with Dacus, these songs are a study in contrast. In "Hot & Heavy " she sings powerfully about blushing and diffidence, while the song "Thumbs" contains an elegant fantasy about the brutal murder of a close friend’s no-good father. After performing "Thumbs" during the nearly nonstop tours for her first two albums, it quickly became a white whale to Dacus fans, who have been counting the days until its release just as we’ve all awaited the end of this endless quarantine.

While all that touring made Lucy long to re-root in her hometown, her sudden acclaim filled Richmond with funhouse distortions of herself. People she didn’t know were looking at her like they knew her better than she knew herself. Strangers showed up at her front door. “You used to be so sweet,” she sings on the opening track, “now you're a firecracker on a crowded street.” That truism, both true and false—you can’t go home again—seemed to taunt her at the very time she needed home the most.

In August 2019, after a too much touring then a month of silence, it was time to go back to Trace Horse Studio in Nashville—Jacob Blizard, Collin Pastore, and Jake Finch, her loyal friends and collaborators were at her side again. Dacus’s boygenius bandmates, Phoebe Bridgers and Julien Baker sang a loving chorus on "Please Stay" and "Going Going Gone" while each recorded solo songs during the same session. Dacus’s resulting record—full of arrhythmic heartbeat percussion and backgrounds of water-warped pipe organ— was mixed by Shawn Everett and mastered by Bob Ludwig.

Loyal Dacus listeners may notice that the melodies here are lower and more contained, at times feeling as intimate as a whisper. The vulnerability of these songs, so often about the intense places where different sorts of love meet and warp, required this approach. “When you told me ‘bout your first time, a soccer player at the senior high,” she sings in "Cartwheel", “I felt my body crumple to the floor. Betrayal like I’d never felt before.” Yet in "Partner in Crime", Dacus marries content and form in a strikingly different way, using uncharacteristic autotune in a song about duplicity and soft coercion.

That 'Home Video' arrives at the end of this locked down, fearful era seems as preordained as the messages within. “I don’t necessarily think that I’m supposed to understand the songs just because I made them,” Dacus says into a screen, “I feel like there’s this person who has been in me my whole life and I’m doing my best to represent them.” After more than a year of being homebound, in a time when screens and video calls were sometimes our only form of contact, looking backward was a natural habit for many. If we haven’t learned it already, this album is a gorgeous example of the transformative power of vulnerability. Dacus’s voice, both audible and on the page, has a healer’s power to soothe and ground and reckon.

Catherine Lacey, February 2021, Chicago, IL



Lucy Dacus On Tour
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY

* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
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Coming July 23 : DARKSIDE - 'Spiral'




"The Limit"


(photo : Jed DeMoss)

On July 23, DARKSIDE will release its much-anticipated second full-length, 'Spiral', via Matador Records. Today, you can listen to new song “The Limit”.

DARKSIDE is an American rock band formed in Providence, Rhode Island in 2011. The group consists of Chilean electronic musician & vocalist Nicolás Jaar and American multi-instrumentalist Dave Harrington. Jaar and Harrington first met while studying in Providence through their common friend and saxophonist Will Epstein. In the summer of 2011, they toured Europe and Australia in support of Jaar's breakthrough debut album Space Is Only Noise.

Upon returning to Providence, they continued to write together, releasing their self-titled EP in 2012 and their critically acclaimed debut album 'Psychic' on Matador in October 2013. The album was met with glowing reviews, including a 9.0 from Pitchfork and the New York Times calling it "the soundtrack to a lost David Lynch sci-fi movie."

In the years that followed the 'Psychic' tour in 2014, the musicians moved on parallel and occasionally intersecting paths. Jaar would release five albums under his name and two collections of club music as Against All Logic. Harrington worked as a producer and composer, releasing two albums with his Dave Harrington Group. During that time he also played some 300 shows in NYC and Brooklyn, becoming deeply entrenched with a wide-ranging community of improvisers and collaborators, performing and recording with Yuka Honda, Brian Chase, Ilhan Ersahin, Genesis Breyer P-Orridge, Joe Russo, Innov Gnawa, Angel Deradoorian, The Master Musicians of Jajouka, Nels Cline, and more.

In the summer of 2018, Harrington and Jaar rented a small house on Lenni-Lenape territory, which is present-day Flemington, New Jersey. The group spent a week there, making a song a day. While it would take another year and a half to complete their second album, six songs from the band's new record 'Spiral were written and recorded during this initial session.

"From the beginning, DARKSIDE has been our jam band. Something we did on days off. When we reconvened, it was because we really couldn't wait to jam together again,” says Jaar. Harrington echoes this, “It felt like it was time again,” he said. "We do things in this band that we would never do on our own. DARKSIDE is the third being in the room that just kind of occurs when we make music together."

presave / preorder 'Spiral'
stream / download "The Limit"

Tracklist

  1. Narrow Road

  2. The Limit

  3. The Question Is To See It All

  4. Lawmaker

  5. I’m the Echo

  6. Spiral

  7. Liberty Bell

  8. Inside Is Out There

  9. Only Young




Darkside online :
website
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Darkside at Matador

Coming October 8 : 25th Anniversary Remastered Edition Of Bardo Pond's 'Amanita'





stream / preorder "Amanita"
stream/download "Shadow Puppet"

"Shadow Puppet"
Video created by Michael Speed
art by Bardo Pond and Michael Gibbons



"Limerick"
Directed by Michael Gibbons



(photo by Taylor Crothers)


Formed in 1991, Philadelphia’s Bardo Pond have spent some thirty years mapping guitar music’s outer limits – dialing into extremes of noise, chaos, and harmony in free-form compositions that now unfurl across 12 full-length records and a near-limitless body of EPs, cassettes, and CD-Rs. 

On October 8th, Matador Records will celebrate the 25th anniversary of the quintet’s long out-of-print second album and label debut, 'Amanita', with a newly remastered 2xLP reissue.

Recorded by the lineup of John Gibbons (guitar), Michael Gibbons (guitar), Isobel Sollenberger (voice, flute), Clint Takeda (bass), and Joe Culver (drums), Amanita is the place where the band’s collective spontaneous creativity blazed into maturity. 

“Amanita was a manifesto of everything we were trying to do,” says Michael Gibbons. It was really a template for everything we did later. We were a real unit – just so creative, just making up riffs. There were songs, but they were still rooted in our free-improv base. We had a beauty, but we also had a really strong impulse to be dissonant.”

Even within the heady subcultural micro-verse of ’90s underground zoner-music, the Fishtown-basement-dwelling quintet’s vision of “psychedelia” was singular in its heaviness. “We weren’t interested in the cliched idea of what that term meant,” says Gibbons. "We were very interested in the psychedelic experience as it being a bridge to rebirth.” 

“What’s the chemical your brain releases when you’re overwhelmed? Endorphins. That’s what we were trying to get to when we played these parts." 

Amanita's music is emblematic of that sensibility – 82-minutes of confusion and transcendence. 

The remainder of the band’s Matador catalog – 'Lapsed' (1997), 'Set and Setting' (1999), and 'Dilate' (2001) – will see reissue later this year alongside a 2xLP rarities compilation.

Bardo Pond – now John and Michael Gibbons, Isobell Sollenberger, and Jason Kourkounis – remains active, maintaining a prolific output and performing regularly.

'Amanita' Tracklist
01 Limerick
02 Sentence
03 Tantric Porno
04 Wank
05 The High Frequency
06 Sometimes Words
07 Clean Sweep *
08 Yellow Turban
09 Rumination
10 Be A Fish
11 Tapir Song
12 Brambles *
13 RM

* Previously vinyl only, these tracks will be available on streaming/digital download on the album release date.







Bardo Pond Online :
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VIDEO : Mdou Moctar - "Tala Tannam" (live)



Mdou Moctar - "Talla Tannam" (live)

Footage shot by: Mamadou Halidou & WH Moustapha / Dynamique image
Audio Recorded by: Mikey Coltun.
Mixed and Mastered by Seth Manchester at Machines with Magnets

studio version on 'Afrique Victime', out May 21.
“In winter 2020, the Mdou Moctar band met up in Niamey, the capital of Niger, to record a few songs in anticipation of the release of ‘Afrique Victime’. We were staying on the outskirts of town at a friend's home. One day, we quietly set up in front of the house to film a few songs. Despite our relative isolation, the noise of the band inevitably attracted a crowd. What started as the four of us simply playing a few songs for a camera turned into a three-night run of rowdy concerts, bringing in hundreds of eager listeners. Each night, kids from all over the city would line up at our door, rushing over after their final evening prayer. These performances were completely spontaneous and wholly unplanned. Thanks to our audience, we were able to capture the spectacular energy of a typical Niamey concert for you. We're thrilled about it and hope you will be, too. Enjoy!”

stream / download "Tala Tannam" (studio version)
presave / preorder 'Afrique Victime'

Mdou Moctar online:

Official site
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VIDEO : Julien Baker - Performing 3 Songs From 'Little Oblivions' On "CBS This Morning"



"Hardline"

Earlier today (Saturday, March 6) Julien Baker and band performed 3 songs from her universally acclaimed 'Little Oblivions' for the Saturday Sessions edition of "CBS This Morning.



"Faith Healer"



"Heat Wave"

stream / purchase  'Little Oblivions'

Julien Baker Online
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Perfume Genius - "Describe" (A. G. Cook Remix)



"Describe" (A. G. Cook remix)
(directed by Jack Wedge and Will Freudenheim)

Today Perfume Genius reveals A. G. Cook’s remix of his single “Describe.” The track is taken off the forthcoming 'IMMEDIATELY Remixes' album which is set for digital release on March 12 and in stores on June 12 (Record Store Day).



stream / download "Describe" (A. G. Cook remix)
presave / preorder 'IMMEDIATELY Remixes'
stream / purchase 'Set My Heart On Fire Immediately'

Perfume Genius Online
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Coming May 21 : Mdou Moctar - 'Afrique Victime'



"Tala Tannam", video directed by Cem Misirlioglu
Footage shot by WH Moustapha (Dynamique Image) & Mikey Coltun


(photo : WH Moustapha)


On May 21, Matador Records will release 'Afrique Victime', the long-awaited new album by Mdou Moctar.

With ‘Afrique Victime’ the prodigious Tuareg guitarist and songwriter Mdou Moctar rips a new hole in the sky ­– boldly reforging contemporary Saharan music and “rock music” by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women's rights, inequality, and Western Africa’s exploitation at the hands of colonial powers.

Mdou’s home is Agadez, a desert village in rural Niger. Inspired by traditional Tuareg melodies and YouTube videos of Eddie Van Halen’s six string techniques, he mastered the guitar and created his own burning style. A born charismatic, Mdou went on to tell his story as an aspiring artist by writing, producing, and starring in the first Tuareg language film: a remake of Purple Rain called Akounak Tedalat Taha Tazoughai – which translates to “Rain The Color Of Blue With A Little Red In It” – winning the approval of his family and his community. The word and the sound travelled across West Africa via mobile phone data cards, a popular form of local music distribution. Grueling DIY world tours and albums on the independent US label Sahel Sounds followed, including 2019’s landmark Ilana: The Creator, which earned Mdou an ecstatic international audience.

'Afrique Victime' is result of the combined efforts of Mdou and the members of the band that shares his name. His crucial collaborator is Ahmoudou Madassane, who’s been his rhythm guitarist since 2008. Their two guitars are an alchemical combination. As a songwriter, producer, and recording artist Ahmoudou is the premier musical ambassador to Tuaregs in Niger ­– empowering young musicians with instruments, recording opportunities, and visas. Masassane helped form the revolutionary first woman-fronted Tuareg guitar band Les Filles De Illighadad, whose debut album and tours caused an international sensation in 2019.

The band’s youngest member is prodigal drummer Souleymane Ibrahim, also a member of both the well-known Niger band, Sultanat Star De L'air, and the longest running wedding band in Agadez, Etran De L'air. Souleymane’s playing on this album ferociously sets a new standard for the “rock” drum set.

Producer and bassist Mikey Coltun flies 20 hours from Brooklyn, NYC, then takes a 28-hour bus ride to reach Agadez so the band can practice and record. With no support from a major label or a manager, they made this journey out of Niger every time they toured. In the past three years, Mikey’s played over 500 shows on three continents as Mdou Moctar’s bassist, road manager, producer/recording engineer, and friend. Coltun recorded and produced 'Afrique Victime' around the band’s travels in 2019 ­– working in studios, apartments, hotel rooms, venue backstages, and in field recordings in Niger.

Recording and honing songs as a touring outfit forged a live wire new sound. If Ilana was a late ’60s early ’70s ZZ Top and Black Sabbath record – 'Afrique Victime' is mid-’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band's hypnotic rhythm section are on awe-inspiring display “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser-known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars, which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.

“From prison to Nobel prize. They ceded to Mandela / Africa is a victim of so many crimes / If we stay silent it will be the end of us / Why is this happening? “Moctar asks on the title track. “I want the world to know that we are making music to promote world peace and be with everyone on the same level, fighting against racism”, he says. “All colors and genders are equal. Women, men and children all suffer in the desert due to the colonization by France and therefore there is a lack of the basics - hospitals, drinking water, schools.”

The needs of Agadez are a major part of what drives Moctar as an artist and promoting the region’s youth through music is an especially personal cause. “I know what it’s like to have been in that position,” he says, “to not have the support of your family, or the money for guitars or strings, it’s really hard. I have a lot of support from the younger generation, because I help them out a lot. When I get back from tour, I give them gear that I bought while I was away so they can go out and form their own bands.”

Says Coltun: “In Agadez the music and feeling at Tuareg weddings is exactly like the best of Western DIY/Punk shows. It's loud, energetic and powerful. There is a sense of everyone helping out. Tuaregs are a tight community. If you're Tuareg you're considered family.”

The music listeners are the beneficiaries of the staggeringly powerful do-it-yourself musical ethic of Mdou Moctar – the man and the band – who’ve worked so hard to bring the spirits of families and communities in Niger to the West. Afrique Victime sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.

'Afrique Victime' is now available for pre-order on LP (standard black vinyl, picture disc and multiple colored vinyl editions) and compact disc. There's also a t-shirt bundle.

stream / download "Tala Tannam"
presave / preorder 'Afrique Victime'











'Afrique Victime' Tracklist
1. Chismiten
2. Taliat
3. Ya Habibti
4. Tala Tannam
5. Untitled
6. Asdikte Akal
7. Layla
8. Afrique Victime
9. Bismilahi Atagah

Mdou Moctar online:

Official site
Instagram
Facebook
Twitter

Julien Baker - "Heatwave" Premiere & Lyric Video


"Heatwave" - lyric video by Sabrina Nichols), from 'Little Oblivions', out this Friday, February 26


"Maybe it's a trite or well-trod topic, but ‘Heatwave’ is really just about being confronted with how much time I spend worrying about things that are trivial. I was stuck in traffic because a car had randomly combusted, and it made me feel so stupid for being concerned with the things I had been anxious about earlier that day. It was just such a poignant thing, an event that communicated a lot of complex things in a single image. So I wrote a song about it. I know I'm not the first person to witness an atrocity and consider my own mortality or life's fragility because of it, but that truly was my experience. Theoretically the lesson or symbolism to be interpreted there is that life is precious and it's not worth it to give your time and energy to negative thoughts, but jesus, how could you be a person alive on earth right now and not have negative thoughts? It's certainly less romantic to say that the consideration of life's fragility made me feel relieved at my own inconsequence, but it's true; it is comforting to think of the minuscule role everyone plays in the human drama, to realize we have more choice about what we give power over us than we maybe thought." - Julien Baker








photo by Alysse Gafkjen

stream / download "Heatwave"

presave / preorder 'Little Oblivions'

Julien Baker Online
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