Archives

Categories

About

The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

Available Today On Vinyl & CD : Kurt Vile - 'Speed, Sound, Lonely KV (EP)'





After previous release via digital auspices, today is the official release date for Kurt Vile's 'Speed, Sound, Lonely KV (ep)' on the resilient vinyl and compact disc formats.

Track List :

Speed of The Sound of Loneliness
Gone Girl
Dandelions
How Lucky (with John Prine)
Pearls



"How Lucky" (with John Prine)
"Prine, KV and Ferg as Babies" drawing by Delphine Vile in Nashville.

purchase / stream  'Speed, Sound, Lonely KV (ep)'
Stream/Purchase Bottle It In

Kurt Vile Online
Website
Facebook
Twitter
Instagram

Out Today : Mary Timony - 'Mountains' (20th Anniversary Expanded Edition)






(photo  :  Stefano Giovannini)

Today is the official release date for the deluxe reissue of Mary Timony's 2000 solo debut, 'Mountains'.  The expanded, 2 disc version is available in stores today.

stream/purchase 'Moutains'
Tracklist
01. Dungeon Dance
02. Poison Moon
03. I Fire Myself
04. The Bell
05. Painted Horses
06. The Hour Glass
07. 13 Bees
08. The Golden Fruit
09. Whisper From the Tree
10. 1542
11. Valley of One Thousand Perfumes
12. Tiger Rising
13. An-deluzion
14. The Fox and Hound
15. Rider on the Stormy Sea
16. Return to Pirates (Kingston St. Session)
17. Poison Moon (Kingston St. Session)
18. Killed by the Telephone (Kingston St. Session)
19. Valley of One Thousand Perfumes (Orchestral Version)


Mary Timony Online
Twitter
Instagram

Our Annual Orgy of Self-Congratulation, Grandstanding & Overconsumption : Matador Artists & Staff Select Their 2020 Favorites



(Congratulations to the landslide winner of the Matador Artists & Staff Poll for Person Of The Year 2020 to Clorox Scentiva Wipes.)

(Around this time every year, your underappreciated editor attempts to coax a list of favorite recordings, books, television programs, life events, etc. out of the label’s artist roster and our entertainment business cronies. In the past, this exercise has been an exacting process, fraught with nagging, GUILTING and no shortage of reluctant participants, some of whom actually changed labels or places of employment or their identities/physical appearances to avoid the chore. Even worse, we sometimes overlook persons currently recording for or working for the record label (either that or they saved their list for Brooklyn Vegan)

Keep in mind, we're about to close the books on the WORST YEAR EVER and perhaps persons with some sense of perspective or empathy have other things on their mind than shouting from the rooftops about their cultural cachet.  Thankfully, none of those persons can be found below or it would be a really short list.

For some historical perspective, here’s last year’s selections. Questions or comments about our predictable tastes and/or inexcusable omissions are welcome (but not so welcome that we’re inclined to comment or reply).  Last year, industry titan Mike Sniper correctly predicted that such lists would be broken down thusly, “half hugely famous commercially viable things that TMZ would report on, the other half off-kilter and ‘weird.’ McDonalds Weird. Like The McRib.”,  but in 2020 I am happy to report that all participants had some much extra time to bask in new creations, we're no longer confined to a Carly Rae / McRib dichotomy.  That's what passes for progress, at least in list-compilng land.

On behalf of Matador's owners, investors, legal representatives and  street team (none of whom are allowed on the actual street any more due to liability issues, so we just pay them to make crank calls to Sub Pop), here's wishing you, your families and friends a safe & happy holiday and thank you, as always, for putting up with us.  And without further ado, let the coronoation of 'Diplo Presents Thomas Wesley Chapter One : Snake Oil' commence. – Gerard Cosloy)

Mikey Coltun, Mdou Moctar
2020 favorite albums

-Jeff Parker - Suite For Max Brown
-Bill Nace - Both
-Horse Lords - The Common Task



-Kiko Dinucci - Rastilho
-Kate NV - Room For The Moon
-Tidiane Thiam - Siftorde
-Duma - Duma
-J. Zunz - Hibiscus
-Mary Halvorson’s Code Girl - Artlessly Falling
-Deerhoof - Love-Lore
-Maghreb K7 Club - Synth Raï, Chaoui & Staifi
-Raven Chacon - ‘An Anthology Of Chants Operations’
-Hiroshi Yoshimura - Green (reissue)
-Moor Jewelry - True Opera
-Black Myths - Birth Of A Nation
-DJ Diaki - Balani Fou
-T. Gowdy - Therapy With Colour
-Mary Lattimore - Silver Ladders
-Meitei - Kof?
-Curved Light - Vita Ex Machina
-METZ - Hail Taxi

Steve Gunn


Don Cherry - Om Shanti Om Black Sweat Record
The Sadies - Union Pool
Black Unity Trio - Al-Fatihah reissue Gotta Groove
Johnathan Richman & Will Oldham Town Hall
FIrst Cow - Kelly Reichhardt director/William Tyler Soundtrack



Marc Orleans - RIP
Patrick Amory on mixcloud
Complete films of Agnes Varda Criterion
Steve Potts - Musique Pour Le Film D'un Ami - Aguirre Records
Mary Oliver - Devotions
How to with John Wilson
How the River Ganges Flows - Sublime Masterpieces of Indian Violin 1933-52 Third Man Records

Georgia Hubley, Yo La Tengo
TEN THINGS I DISCOVERED IN 2020
1 George Sanders was married to Zsa Zsa Gabor.
2 You can freeze just about anything and it’ll taste pretty good weeks, months later.

3 Potatoes and onions don’t like to be stored together.



 

4 Viola Smith, “fastest girl drummer in the world” died this year at the age of 107. I’d never heard of her. theLAnd Magazine quoted her as saying “Maybe it’s the drums that have kept me spry, or the wine, or going to the casino.”
“Why not let the girls play in the big bands?” she wrote in an editorial for Down Beat titled “Give Girl Musicians a Break!” that I read about in her NYT obituary. “In these times of national emergency, many of the star instrumentalists of the big name bands are being drafted. Instead of replacing them with what may be mediocre talent, why not let some of the great girl musicians of the country take their places? There are many girl trumpet players, girl saxophonists and girl drummers who can stand the grind of long tours and exacting one-night stands,” she continued. “The idea of girls being able to play only legitimately is a worn-out myth now.”
That did the trick.
5 There were two US presidents named Harrison and one of them was President Benjamin (1889-1893) who declined to take advantage of the new electricity recently installed in the White House. I found out about this by watching chef David Chang impressively win a million dollars for his charity Southern Smoke Emergency Relief fund on Who Wants to Be a Millionaire.
6 I like Elvis a lot. I watched four Elvis movies in the last 3 months. One documentary, two concert films and one that he starred in.
7 I see a neighbor, whose window is about 10 or 12 yards across from my kitchen window, spending a lot of time at a desk, presumably in front of his computer. I worry about his blood circulation. And also that he can see me opening and closing my refrigerator about 70 times a day.
To be fair, some of those times are when I’ve opened it and forgotten why, and then I reopen it about 3 seconds later.
8 Elvis really liked Monty Python. I knew that and forgot, but I just relearned it.
9 Little Richard used to defecate in his mother’s jarred preserves as a youngster.

10 I can make chopped chicken liver from scratch and it’s not bad!

Bill Nace, Body/Head
1. Friday nite zoom readings by Byron Coley
2. Friday nite "zooms" with Kesin and Krefting
3. Text chain with Twig and Dillo
4. Basement "jam" vids from Mark Morgan
5. Milford Graves: A Mind-Body Deal - ICA Philadelphia
6. Upcoming Emily Robb solo LP
7. Coffee with Richie
8. Drawing with Hunter
9. Painting
10. Kim Gordon roughs for Gus Van Sant short

Lee Tesche, Algiers
Top 5 staff 2020, in order
1. Gerard
2. Lombardi
3. Josh
4. Rian
5. Alex
Honorable Mention: Patrick

Jean-Paul Aline, Beggars Group
Albums
What’s Your Pleasure ? – Jessie Ware
b7 – Brandy



souvenir – Jonah Yano
All The Time – Jessy Lanza
Regresa – Buscabulla
Roisin Machine – Roisin Murphy
3.15.20 – Childish Gambino
Sin Miedo – Kali Uchis
Untitled (Rise) – Sault
Circles – Mac Miller
Will This Make Me Good – Nick Hakim
Miss Colombia – Lido Pimienta

Bonus : Le Jeune (EP) - Quinzequinze

Shows
Madonna – Madame X Tour / Lisbon
Algiers – Paris / La Maroquinerie
Roisin Murphy – Live On Mixcloud

TV SHOWS


Small Axe : Lovers Rock
I may Destroy you
The Crown

Book :
Where The Crawdads Sing – Delia Owens

Nabil Ayers, 4AD

JYOTI Mama, You Can Bet!
Keeley Forsythe Debris
Kelly Lee Owens Inner Song
SAULT Untitled (Black Is)



Alan Braufman The Fire Still Burns (the family biz)
Alabaster DePlume To Cy & Lee: Instrumentals Vol. 1
Mourning [A] BLKstar The Cycle
Grimes pausing her New York Times interview to talk about Raisin Bran
Dry Cleaning’s NYC shows in March… my last
U.S. Girls at The Dance
Post Malone’s Nirvana live stream

Chris Bithell - Beggars Group

Fave tracks released in 2020 (-ish)
Heavy emphasis on the party music... We needed it.

Green Gartside - Tangled Man [Rough Trade]


Warmduscher - Midnight Dipper (Soulwax Remix) [The Leaf Label]
Eris Drew - Transcendental Access Point [Interdimensional Transmissions]
SAULT - Free [Forever Living Originals]
Peter Cat Recording Co. - Portrait of a Time [Panache]
lau.ra & Secaina - Sideways [Needwant]
Róisín Murphy - We Got Together [Loaded]
Paul Epworth & Ishmael - Space Inc. [Sony]
Kaytranada & Pharrell Williams - Midsection [RCA]
Onipa - Makoma [Strut/K7]
Becky and the Birds - Wondering [4AD]
Dua Lipa - Hallucinate (prod. SG Lewis & Jacques Lu Cont) [Warner]
Bonobo & Totally Enormous Extinct Dinosaurs - Heartbreak [Outlier]
Corridor - Domino [Sub Pop]
Ruthven - Have You Decided? [XL]
Jessica Winter - The Other (Chambermix) [Roya]
Erika de Casier & El Trick - Little Bit (El Trick Remix / Sydlandsmix) [Jeep]
The Organism - Jhana [Eklektisch]
Kiwi & Ghost Culture - I Feel Better [Crossbreed]
Pregoblin - Love Letters [eOne]
Hot Chip & Jarvis Cocker - Straight To The Morning [Domino]
Red Axes - Arpman [Dark Entries]
LA Priest - Beginning (Totally Enormous Extinct Dinosaurs Remix) [Domino]
Låpsley - Speaking of the End [XL]
The Avalanches - Oh The Sunn / We Go On [Modular]
SAULT - Monsters [Forever Living Originals]

1010 Benja SL - Dobby [Young Turks]

Nick Boyd, Beggars Group



Everything released this year by AceMo, MoMa Ready, Bored Lord, Kush Jones, DJ Swisha, DJ Delish, Ali Berger, Eris Drew, Octo Octa, Huey Mnemonic, Max Watts, Nikki Nair, Tim Reaper, OSSX, James Bangura, INVT, An Avrin, El Blanco Nino, Fear-E, Allergy Season, musclecars, A. G. Cook, Haus of Altr, Towhead Recordings, Moveltraxx, Sweat Equity, Scuffed Recordings, C Powers, Chucky73 and the whole Sie7etr3 crew, Alex Falk, Amal, ART DLR, Bad Bunny, Bad Boy Chiller Crew, Drummy, Kindergarten Records, Bastiengoat, Juke Bounce Werk, Nick Leon, Black Cadmium, Black Girl / White Girl, Boof, Charli XCX, Lil Uzi Vert, Kiwi Rekords, Private Caller, Sammy Virji, Rico Nasty, Mark Archer, They Hate Change, Tyga Paw, DJ Girl, ROOM, Coloring Lessons, Super Tuff, T5UMUT5UMU, quest?onmarc. Honorable mention to the fourteen releases we did on Sorry Records this year.

Emma Buchanan, Matador Records

PYLON - BOX
Augustus Muller - Machine Learning Experiments
Aurat - Poison
Beatrice Dillon - Workaround
Chronophage - Th’pig’kiss’d Album
Constant Smiles - Control
Cool Greenhouse - s/t
Duma - Duma
GISM - Detestation reissue
Gwenifer Raymond - Strange Lights Over Garth Mountain



Jackie Lynn - Jacqueline
Joanne Robertson - Painting stupid girls
Kaitlyn Aurelia Smith - The Mosaic of Transformation
Kelly Lee Owens - Inner Song
Necrot - Mortal
Nidia - Não Fales Nela Que A Mentes
No Home - Fucking Hell
Noveller - Arrow
OOIOO -Nijimusi
PE - Person
Ramble Tamble - Burned County Data
Renee Van Trier - Something of What I’ve Lost
Skeleton - Skeleton

Special Interest - The Passion Of
Vacant Gardens - Under the Bloom
Vladislav Delay - Rakka

Gerard Cosloy, Matador Records

Saint Abdullah - In God's Image (Psychic Liberation)

Amani + King Vision Ultra - An Unknown Infinite (PTP)
No Home - Fucking Hell (d/l bandcamp)
Chronophage - Th' Pig Kissed (Cleta Patra)
Felicia Atkinson - Everything Evaporate (Shelter Press)
Still House Plants - Fast Edit (Bison / Blank Forms)
Model Home - One Year (Disciples)
Sofehso - A Record (First Terrace)
Claire Rousay - Both (Second Editions)
Soft Shoulder - Contextual Depreciation (Gilgongo)
Dr. Pete Larsen and His Cytoxic Nyatti Band - s/t (Dagoretti)
Dean Roberts - Not Fire (Erstwhile)
Armand Hammer - Shrines (Backwoodz Studioz)

Ono - Red Summer (American Dreams)



Triple Negative - God Bless The Death Drive (Penultimate Press)
Mint Mile - Ambertron (Comedy Minus One)
NE$$ x Baby J - 21st Century Blues
Obnox - Savage Raygun (ever/never)
David Nance - Staunch Honey (Trouble In Mind)
Sumac - May You Be Held (Thrill Jockey)
Uniform - Shame (Sacred Bones)
Duma - s/t (Nyege Nyege Tapes)
Powers / Rolin Duo - s/t (Feeding Tube)
Will Johnson - El Capitan (Keeled Scales)
Horse Lords - The Common Task (Northern Spy)



Dan Melchior - Embankment To The End Of The Line (Gertrude Tapes)
FACS - Void Moments (Trouble In Mind)
E- Complications (Silver Rocket)



Jon Collin - Water And Rock Music, Volumes 3-4 (Feeding Tube/Early Music)
Lamps - People With Faces (In The Red)
Astute Palate - s/t (Petty Bunco)
Magik Markers - 2020 (Drag City)
Barry Walker Jr. - Shoulda Zenith (Holy Moutain)

Reissues / vault-y bits :
Black Unity Trio - Al - Fatihah (Gotta Groove)
Dadamah - This Is Not A Dream (Grapefruit)
Ela Orleans - Lost (La Station Radar)
Phew - Vertical Jamming (Disciples)
United Mutation - Dark Self Image (Radio Raheem)

Top 3 TV Moments :
1) Geoff Metcalfe getting stabbed in the neck with a broken wine bottle
2) Geoff Metcalfe falling off his roof



3) Eddie Kingston - spoken word

Steve Cross, Remote Control
20 tracks that got me through 2020
Soccer96 - I Was Gonna Fight Fascism


Kelly Lee Owens – Corner Of My Sky ft. John Cale
Nadia Reid - Best Thing
Sault – Little Boy
Cabane feat. Bonnie "Prince" Billy – Take me home Pt2


The Weather Station – Robber

Moonduo –Planet Caravan
Alexandra Savior - But You
Bill Callahan - Sea Song (feat. Mick Turner)
Rival Consoles - Vibrations on a String
Aoife Nessa Frances - Blow Up
Car Seat Headrest - Deadlines (Thoughtful)
Kelly Lee Owens – On
Lou Doillon – Alexandrie, Alexandra
Ghostpoet - Breaking Cover
Sei Still - El Camino
Daniel Avery - Lone Swordsman
Son Lux - Only (Chasing You) [feat. William Bell]
Shannon Lay/Steve Gunn - Clay Pigeons

Blake Mills - Money Is The One True God

Malcolm Donaldson, Matador Records
20 new albums and (some new, some old) reads I enjoyed in 2020





















"Paraphrase" - Sarah Resnick
Invisibility Blues - Michele Wallace
Libra - Don Delillo
Tell Me How Long the Train's Been Gone - James Baldwin
Satantango - Laszlo Krasznahorkai
Butcher's Crossing - John Williams
Sula - Toni Morrison
The Factory - Hiroko Oyamada
Real Life - Brandon Taylor
Two Serious Ladies - Jane Bowles

Bonus Round: Favorite not-new new release



Rian Fossett, Matador Records



Art Feynman - Half Price at 5:30
Mary Lattimore - Silver Ladders
Omar S - You Want
Pop Smoke - Shoot For The Stars Aim For The Moon
Neil Young - Homegrown
Kelly Lee Owens - Inner Song
Yves Tumor - Heaven To A Tortured Mind
Jorge Elbrecht - Presentable Corpse
Domenique Dumont - People On SundayOneohtrix Point Never- Magic Oneohtrix Point Never

My Favorite Show - How To with John Wilson
My Favorite Enzo - @enzothesweetboy

Jonathan Gold, Beggars Group
Albums
Arca – KiCk i (XL)
Caribou – Suddenly (Merge)
Dehd – Flower of Devotion (Fire Talk)



Desire Marea – Desire (Izimakade)
Eartheater – Phoenix: Flames Are Dew Upon My Skin (PAN)
Jessie Ware – What’s Your Pleasure (PMR/Friends Keep Secrets/Interscope)
Kelly Lee Owens – Inner Song (Smalltown Sound)
Naked Roommate – Do the Duvet (Trouble In Minds)
Perfume Genius – Set My Heart on Fire Immediately (Matador)
Popcaan – FIXTAPE (Unruly/OVO Sound)
Special Interest - The Passion Of (Night School/ Thrill Living)
Yves Tumor – Heaven to A Tortured Mind (Warp)

EPs
Deaton Chris Anthony – BOOGY WOOGY (Self-Released)
Meth Math – Pompi (In Real Life)



Park Hye Jin – How Can I (Ninja Tune)
Moonchild Sanelly – Nüdes (Transgressive)
Shygirl – ALIAS (Because)

Songs
BbyMutha – “Cocaine Catwalk” (Self-released)
Bicep – “Apricots” (Ninja Tune)
Blake Mills – “Money Is The One True God” & “Vanishing Twin” (New Deal/Verve)
Creams – “DIE 4 U” (Self-released)
Jeannette Ndiaye – “Makom Ma Bobe” (Kalita)
Julie Byrne, Jefre Cantu-Ledes – “Love’s Refrain” (Mexican Summer)
keiyaA – “Hvnli” & “Rectifya” (Forever)
Koraal – “Vuurdin” (Nous’klaer Audio)
Lorenzo Senni – “Dance Tonight Revolution Tomorrow” (Warp)
Mary Lattimore – “Pine Trees” (Ghostly)
Maurice Fulton, Peggy Guo – “Jigoo” (Gudu)
MOTHERMARY – “Catch Fire” (Italians Do It Better)
Pop Smoke – “Shake The Room (feat. Quavo)” (Victor Victor Worldwide/ Republic)

Pam Garavano, Beggars Group
15 new & 10 reissues albums I loved this year. I strive to never list albums I work on, but if I did, plum by widowspeak and clot by wax chattels along with the reissue of OXZ’s catalog are all aces.

new releases:
adrianne lenker - songs (4ad)
ana roxanne - because of a flower (kranky)
constant smiles - control (living waters)
cut worms - nobody lives here anymore (jagjaguwar)
kate nv - room for the moon (rvng)
katie gately - loom (houndstooth)



le volume courbe - fourteen years ep (honest jons)
mary lattimore - silver ladders (ghostly)
lucrecia dalt - no era sólida (rvng)
modern nature - annual (bella union)
perfume genius - set my heart on fire immediately (matador)
psychic ills - never learn not to love 7-inch (sacred bones)
snowy - audio commentary (spunk)
tomberlin - projections ep (saddle creek)
westerman - your hero is not dead (partisan)

reissue:
dadamah - this is not a dream (grapefruit)
loscil - coast/range/arc (kranky)



priscilla ermel - origins da luz (music from memory)
hiroshi yoshimura - green? (light in the attic)
pole - 1, 2 & 3 (mute)
pale saints - comforts of madness 30th anniv. (4ad)
pylon - pylon box (new west)
the sound - physical world 7-inch (reminder)
neil young - homegrown (reprise)
various artists - ak79 (flying nun)

Matt Harmon, Beggars Group
ALBUMS
Modern Nature - Annual EP (Bella Union)
Brigid Dawson and The Mothers Network - Ballet of Apes (Castleface)
Irreversible Entanglements - Who Sent You (International Anthem)
Sunwatchers - Oh Yeah! (Trouble in Mind Records)
CS + Crème - Snoopy (The Trilogy Tapes)
Beatrice Dillion - Workaround (Pan)
Lingo Seini et son groupe - Musique Hauka (Sahel Sounds)
T.V Sun - Mosses (Anyway)



Quin Kirchner - The Shadows and The Light (Astral Spirits)
Roomful of Teeth - Michael Harrison: Just Constellations EP (Amsterdam)
Penelope Trappes - “Eel Drop” EP (Houndstooth)
Omar S - You Want (FXHE Records)
Oneohtrix Point Never - Magic Oneohtrix Point Never (Warp)
Nazar - Guerilla (Hyper-Dub)

SONGS
HAAi “Head above the Parakeets” (Mute)
Les Sins & Acemo “C’mon Les’ Go” (Company Studio/Sonic Messengers)
Dave Harrington + Nate Mercereau “Things Move Quickly When They Feel Right” (How So Records)
AceMoMa, AceMo & Moma Ready “Revolutionary” (HAUS of ALTR)
Jenny Hval “Bonus Material” (Sacred Bones)
Mdou Moctar “Ibitan” (self-released)
Sault “Free” (Forever Living Originals)
Dan Matz “Now Lucifer” (Assumed Identity)

REISSUES



Rashied Ali + Frank Lowe - Duo Exchange (Survival Records)
Anthony Moore - “Out” (Drag City)
Various Artists - Guasá, Cununo y Marimba. Afro-Colombian Music the West Coast (Gertudis Bonilla)

Noam Klar, Matador Records
my top 5 Mad Men episodes as viewed during lockdown 1&2:
1. Season 5, episode 11: “The Other Woman”
2. Season 7, episode 14: “Person To Person”
4. Season 6, episode 8: “The Crash”
4. Season 1, episode 12: “Nixon Vs Kennedy”

5. Season 3, episode 6: “Guy Walks Into an Advertising Agency”

Sonya Kolowrat, Beggars Group
TOP 10 SCREAMERS + RELATED THINGS I DISCOVERED IN 2020

I moved to LA from the E.Coast in the summer of 2019, and my “Covid project” has been a deep study into all things LA Punk rock. Living in NYC, one gets a little locked into E.Coast stuff, so I had the rare pleasure of discovering a new old band. In the early punk days in LA, there was one band that ruled it all and influenced it all. THE SCREAMERS. I AM STILL MAD that no one told me about them ages ago. You have to click on all the stuff below and then you too can get SO excited about a band that never officially released an album and only existed from 1975-1981. Why didn’t you tell me about this band when I was 4? Here’s a list of things I have explored and enjoyed related to this band.



    1. “122 Hours Of Fear” (kicks in after a minute, and the anticipation build is worth it)

    2. “Vertigo”






  1. Screamer’s singer Tomata du Plenty on CNN talking about his post-band art career.

  2. KK Barrett – Former Screamers drummer, now Academy Award nominated production designer

  3. The Cockettes – SF avant garde psychedelic hippie theater group that Tomata was in – Documentary/Website

  4. The Hollywood Columbarium at Hollywood Forever where Tomata Du Plenty is laid to rest (bonus resting place of Rozz Williams of Christian Death one floor above)

  5. The art of Gary Panter (designed the iconic Screamers “screaming man” logo in addition to a Yo La Tengo album cover)

  6. Books: We Got the Neutron Bomb: The Untold Story of L.A. Punk by Brendan Mullen & Marc Spitz, Under The Big Black Sun - A Personal History of LA Punk and it's sequel, More Fun in the New World: The Unmaking and Legacy of L.A. Punk - by John Doe and Tom DeSavia

  7. Lydia Lunch’s podcast and Pleasant Gehman’s podcast

  8. Cornell University’s Screamers collection


Andy Larsen, Beggars Group
Full lengths:
M. Takara and Carla Boregas - Linha D’Água (El Rocha Records)



Valentina Magaletti, Marlene Ribeiro - Due Matte (Horn of Plenty)
Kübler Ross - Kübler Ross (Akashic Records)
Sarah Davachi - Cantus, Descant (Late Music)
Alan Braufman - The Fire Still Burns (Valley of Search)
Vladislav Delay - 500 Push-Up (feat Sly and Robbie) (Sub Rosa)
Beatrice Dillon - Workaround (Pan)
Ambrose Akinsmusire - on the tender spot of every calloused moment (Blue Note Records)
Cindy Lee - What's Tonight To Eternity (W.25th)
Crazy Doberman - Illusory Expansion (Astral Spirits)

EPs, singles, collections, and archive releases:

Don Cherry - Om Shanti Om (Black Sweat Records)
Charles Curtis - Performances and Recordings 1998-2018 (Saltern)
Nkisi - Initiation (Initiation)
Neutrals - Personal Computing (Slumberland Records)



Xylitol - I’m Pretty Sure I Would Know If Reality Were Fundamentally Different Than I Perceived It To Be (Thrilling Living)
Alvin Lucier - String Noise (Black Truffle)
Coil - Musick To Play In The Dark (Dais)
Harry Pussy - Superstar (Palilalia)
Model Home - One Year (Disciples)
Marika Politissa - All Parts Dark (Olvido Records)

Annette Lee, 4AD
Top 10 discoveries / things that have kept me sane during lockdown:
1. Schitts Creek
2. I May Destroy You



3. Why I’m No Longer Talking To White People About Race by Reni Eddo-Lodge (Book)
4.East cookbook by Meera Sodha
5.Perfecting a gut-busting pork ramen
6.Ruth Rogers’ Sausage Ragu recipe (thanks to Patrick Amory)
7. Calcarius orange and Kindelli Luna Nueva Blanc wines
8. Lagman from Karamay Urghur restaurant
9. NTS Radio
10.Lockdown Parenting Hell podcast

Aaron Leitko, Matador Records
Model Home - SE (Future Times)
Autechre - Sign (Warp)
KMRU - Peel (Editions Mego)

Beatrice Dillon - Workaround (PAN)



Ulla - Tumbling Towards a Wall (Experiences Ltd.)
Luke Stewart - Exposure Quintet (Astral Spirits)
Butch Willis - Amateur on Plastic DVD (Teen-Beat)
US Girls - Heavy Light (4AD)
Vikingur Olafsson - Debussy / Rameau (Deutsche Grammophon)
HOA011 - V/A (Haus of Altr)
Bill Callahan - Gold Record (Drag City)
Kelley Stoltz - Ah! (etc.) (Agitated Records)
Seltene Erden - Scorched Erden (Youth)
Adam X - Acid Archives 92-94 (L.I.E.S.)
Cygnus - Neon Flux (World Building)
Prince - Sign o the Times Super Deluxe (Warner)

Jeff Parker - Suite For Max Brown (International Anthem)



Imaginary Softwoods - Annual Flowers in Color 2020 Remaster (Amethyst Sunset/Mineral Disk)
M. Geddes Gengras - Time Makes Nothing Happen
Haley Fohr @ Hirshhorn 12.6.29
Clear Channel @ Marx Cafe 1.3.20
Jonathan Richman / Bonnie “Prince” Billy @ Lincoln Theater 3.7.20

Irreversible Entanglements @ Rhizome 3.8.20

Ryan Naideau, Rough Trade
new stuff:
theo parrish - wuddaji
the microphones in 2020
gillian welch - boots, all the good times
lil uzi vert - eternal atake
21 savage - savage mode II
mike - weight of the world



dj blackpower - king of the night
necrot - mortal
malokarpatan - krupinské ohne
after - life repeats
lady ehepr - gloatre
straw man army - age of exile
twisted thing - sacred cement
jeff rosenstock - no dream
cadenaxo - lenguas podridas
chronophage - th' pig kiss'd
blair - nothing helps



ippei matsui & aki tsuyoku - natsu no zenbu
domenique dumont - people on sunday
v/a - equiknoxx music in 2020

old stuff:
world standard - asagao
v/a - still in my arms comp
don cherry - om shanti om
valium aggelein - black moon
shirley scott - one for me
v/a - la locura de machuca 1975-1980

Abby Rubin, Beggars Group
2020 Favorites
Lamb Rabbit- Heart True



Dominique Dumont - People On Sunday
Against All Logic - 2017-2019
Fiona Apple - Fetch The Boltcutters
Tara Clerkin Trio - S/T
Oneohtrix Point Never - Magic Oneohtrix Point Never
Neil Young - Homegrown



The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase?
Waxahatachee - St. Cloud
Caribou - Never Come Back
SAULT - Untitled (Rise)
Burna Boy - Twice as Tall
Kelly Lee Owens - Inner Song
Mary Lattimore - Silver Ladders
Gia Margaret - Mia Gargaret
Moodyman - Taken Away
Loma - Don’t Shy Away
Marie Davidson - Renegade Breakdown
Ela Minus - Acts of Rebellion
Art Feynman - Half Price at 3:30
Yves Tumor - Heaven To A Tortured Mind
Yves Jarvis - Sundry Rock Song Stock
The Avalanches - We Will Always Love You

Josh Turner, Matador Records
Favourites
New in 2020
John Carroll Kirby - My Garden
Mil-Spec - World House



Vein - Old Data In A New Machine Vol. 1
Jamael Dean - Ished Tree
Yves Tumor - Heaven To A Tortured Mind
Bib - Delux
Mary Lattimore - Silver Ladders
Jay Electronica - A Written Testimony
Chubby & The Gang - Speed Kills
Honourable mentions:
End It - One Way Track
SUSS - Promise
William Tyler - New Vanitas
Graf Orlock - Decibel Flexi

Six Organs of Admittance - Companion Rises



Found in 2020
Federico Mompou - Impressions
Bartok - Romanian Folk
The Telescopes - Taste
International Harvester - Sov Gott Rose-Mari
Normil Hawaiians - More Wealth Than Money
Stan Hubbs - Crystal
Chuck Johnson - Balsams
The Orioles - Crying In The Chapel
Dara Puspita - Ba-Da-Da-Dum
Read in 2020
Pierre Berton - Klondike 1896 - 1899
Dan Hooper - At The Edge of Time
A K Blakemore - Fondue
Evan Osnos - Age of Ambition
Mixes / Lists
Hung, Drawn & Quartered - 20th February 2020
Sauvages - Sauvages#180



Jake Whitener, Matador Records


Favorite Releases of 2020 :


Sarah Mary Chadwick- Please Daddy (Sinderlyn)
Slauson Malone- Vergangenheitsbewältigung (Crater Speak) (Grand Closing)
Maral- Push (Leaving Records)
Ramble Tamble- Burned County Data (Self-Released)
Pink Siifu- Negro (Field Left)
Duma- Omni (Nyege Nyege Tapes)Your
Duval Timothy- Help (Carrying Colour)
Nazar- Guerilla (Hyperdub LTD)
No Home- Fucking Hell (Self-Released)
Special Interest- The Passion Of (Night School / Thrilling living)
Yves Tumor- Heaven to a Tortured Mind (Warp)
Crack Cloud- Pain Olympics (Self-Released)
Irreversible Entanglements- Who Sent You? (International Anthem)
Park Hye Jin- How can I (Ninja Tune)
The Cowboy- Wifi on the Prairie (Self-Released)

(more from 2020 and beyond)

Sweetie Zamora, Remote Control Records
My favourite releases of 2020 - a year of everything and nothing all at the same time.
Carla Geneve - The Right Reasons

Christine and the Queens - La vita nuova
Dua Lipa - Future Nostalgia



Jessie Ware - What’s Your Pleasure?
Joji - Nectar
Lady Gaga - Chromatica
Little Dragon - New Me, Same Us
Miiesha - Nyaaringu
Perfume Genius - Set My Heart On Fire Immediately
Roisin Murphy - Roisin Machine
Romy - Lifetime
SAULT - Untitled (Black Is) & Untitled (Rise)
Surprise Chef - Daylight Savings
Taylor Swift - Folklore & Evermore
The Chicks - Gaslighter
Yaeji - WHAT WE DREW ??? ????

Emily Zaremba, Matador Records
Albums/EPs in no particular order:
Actress - Karma & Desire
Joanne Robertson - Painting Stupid Girls
Model Home - One Year
Beatrice Dillon - Workaround



Ichiko Aoba - Windswept Adan
Special Interest - The Passion Of
Adrianne Lenker - songs
Moodymann - Taken Away
lojii - lo&behold
Park Hye Jin - How can I



Tristan Arp - Suggested Forms
Bill Callahan - Gold Record
Kelly Lee Owens - Inner Song
Ana Roxanne - Because of a Flower
No Joy - Motherhood
Kate NV - Room For The Moon
Julianna Barwick - Healing is A Miracle
DJ Python - Mas Amable
Songs in no particular order:

Kaitlyn Aurelia Smith - “Expanding Electricity”



Dehd - “Loner”
Standing on the Corner - “Angel”
Against All Logic - “Penny”
Pa Salieu - “Frontline”
HAAi - “Rotating in Unison”
Sassy 009 - “Ghost Town”
Oneohtrix Point Never - “I Don’t Love Me Anymore”
Bktherula - “Summer”
Sufjan Stevens - “The Ascension”
The 1975 - “Yeah I Know”
Shygirl - “Slime”
Jwords - “Numb”
Yves Tumor - “Gospel For A New Century”
Katie Dey - “Happiness”
SAULT - “Strong”
Salem - “Old Gods”
Yung Lean - “Yayo”

Darkside - "LIberty Bell"



stream / download "Liberty Bell"



 



(photo : Jed DeMoss)

DARKSIDE is the collaborative duo of Dave Harrington and Nicolas Jaar.

Dormant since the close of touring for their debut full-length, 'Psychic', the group quietly reconvened in 2018 to begin writing new music.

Following more than a year of work, Harrington and Jaar completed 'Spiral', the second DARKSIDE album, in December of 2019, which has been mixed by Rashad Becker, mastered by Heba Kadry, and will be released this spring.

Today, you can listen to the first single, "Liberty Bell".

Darkside online :
website
Twitter
Instagram
Facebook
Darkside at Matador

 

Out Today : Belle and Sebastian - 'What To Look For In Summer'





"I Didn't See It Coming" (video by Wide Eyed)

stream / purchase 'What To Look For In Summer'

Today, Belle and Sebastian release 'What to Look for in Summer', a live double album gathering choice selections from the band’s 2019 world tour, including last summer’s epic Boaty Weekender cruise.

With the release, Belle and Sebastian also present ‘channel B&S1’ – a 23-song video playlist with dedicated visuals for each track on the album. Featuring a mix-and-match of custom-made Belle and Sebastian dolls by Angharad Jefferson ("I Didn’t See It Coming", "Nice Day For A Sulk", "Dirty Dream #2"), original illustrations by Graham Samuels, ("The Fox In The Snow", "Little Lou, Ugly Jack, Prophet John"), overlays for the eagle-eyed of previous Belle and Sebastian videos ("If She Wants Me", "Beyond The Sunrise") and live footage from The Boaty Weekender and elsewhere ("The Wrong Girl", "I Didn’t See It Coming") – the collection is a one-stop shop for your "What To Look For In Summer" visual companion needs.

“Someone said it would be a good idea to have a visual clip for every song on the album. But – even though we had recorded the songs live – we only had visuals for a few of them,” explains Stuart Murdoch.

“So, we set to work with a talented pair of editors to make little vignettes for each song. We were deep in Covid, so we thought it might be interesting to have the band mime along with one of the songs while we stayed inside our respective Glasgow bubbles. Hence the clip for "Arab Strap’"came about.”

“I contrived to make a clip for "My Wandering Days Are Over" on my phone featuring my nephew Ethan and our friend Meri, who lives with us,” he says. “I had to keep them socially distanced, so that became the theme for the clip.”

tracklist :

1. The Song of The Clyde £ >
2. Dirty Dream Number Two *
3. Step Into My Office, Baby *
4. We Were Beautiful +
5. Seeing Other People %
6. If She Wants Me @
7. Beyond The Sunrise &
8. Wrapped Up In Books +
9. Little Lou, Ugly Jack, Prophet John $
10. Nice Day For A Sulk (digital only) #
11. I Can See Your Future *
12. Funny Little Frog ^
13. The Fox In The Snow+
14. If You’re Feeling Sinister*
15. My Wandering Days Are Over*
16. The Wrong Girl #
17. Stay Loose%
18. The Boy Done Wrong Again #
19. Poor Boy%
20. Dog On Wheels%
21. The Boy With The Arab Strap+
22. I Didn’t See It Coming+
23. Belle And Sebastian #

£ recorded Banchory Studios, Glasgow, August 6th, 2020 (digital version)
> recorded by Kenneth McKellar (vinyl + CD versions)
* The Boaty Weekender, August 10th, 2019
+ Royal Oak Theatre, Michigan, July 21st, 2019
% Union Transfer, Philadelphia, PA, July 12th, 2019
# House Of Blues, Boston, MA, July 13th, 2019
^ M-Telus, Montreal, QC, July 15th, 2019
@ Carnegie Hall - Pittsburgh, PA, July 18th, 2019
& House Of Blues, Cleveland, OH, July 19th, 2019
$ Auditoria Baluarte, Pamplona, Barcelona, November 4th, 2019





Belle & Sebastian online
Official site
Facebook
Twitter
Instagram

out today : Muzz - 'Covers' EP



This morning, Muzz have released the digital EP 'Covers', a four-song collection which sees the trio of Paul Banks, Josh Kaufman and Matt Barrick reimagine songs by Arthur Russell, Bob Dylan, Mazzy Star and Tracy Chapman.

'Covers' is as much an illustration of the bands collective inspirations as it is a sonic testament to their expansive imagination and fluidity as a musical outfit, imbuing the singular classics with a sense of wonder and awe that come together to a short but powerfully holistic set.

Arthur Russell favourite "Nobody Wants A Lonely Heart" is deconstructed to its mesmerising foundations, with Banks' baritone gliding over Kaufman's submerged piano and Barrick's gentle shuffle. Bob Dylan's "Girl From The North Country" is recast in a cobweb of acoustic guitars, swooning slides and ghostly vocals that slow-burn to a mystical crescendo. Elsewhere, Banks’ invocation of Mazzy Star’s "Fade Into You" is fraught with raw emotion, set to a backdrop of palpitating percussion and arching strings. Tracy Chapman's "For You" brings the set to a buoyant and moving close, punctuated by fluttering guitar runs, cinematic pads, and Banks' soulful delivery.

Tracklist
1. Nobody Wants A Lonely Heart
2. Girl From The North Country
3. Fade Into You
4. For You

stream / download 'Covers'
Purchase/Stream Muzz

Muzz Online
Website
Twitter
Instagram
Facebook

Coming February 12, 2021 : Bailter Space - 'Wammo', 25th Anniversary Edition




"Splat" (director, Julie Hermelin
“The most massive guitar come down music ever. Pop songs that sound like they came from a greyhound bus station at 2am. Riffs baked in slime and flowers that pack the ‘THUD’ of a ball peen hammer to the knee. A blistering bookend to Bailter Space’s unstoppable Matador run, Wammo returns to smoke our collective brain resin and fall asleep with the TV on.”

Ryley Walker
Mogwai's frequent visits to the Matador office invariably resulted in Patrick, Chris, or pretty much anyone on their coffee break generously shoving records in our faces and convincing us that ‘if we hadn't heard this band already, our lives were about to get better. Bailter Space was one of those bands. I loved the use of just one or two chords (economical!) with vocals that I was happy enough with being almost indecipherable. Listening back to Wammo, that guitar sound hasn't dated to my ears at all. Please generously shove this record in your face.

Barry Burns (Mogwai)
By 1995, this NYC-by-way-of-New Zealand power trio that not nearly enough people are in love with had already released a multiple-album masterclass in remaking post-punk, shoegaze, and even industrial in their own dense, heavy, beautiful, emotional, and occasionally hostile image. Then Wammo subtracted none of that while adding hooks bigger than Brit-Pop and NEU!-ing up the rhythms. I certainly hope this reissue puts Bailter Space where they should have been for the last quarter-century: In everyone’s inspirational canon.

Andrew Earles

 



Preorder / stream : 'Wammo'

This year Matador’s Revisionist History has surfaced a number of outstanding and era-defining catalog items by the likes of Pavement, Yo La Tengo, Guided by Voices, Mary Timony, and Chavez.

Today, we bring you the final title of our 2020 lineup: Bailter Space’s 'Wammo', now celebrating its 25th anniversary.

'Wammo' has been remastered from the original tapes and returns to us pressed on translucent orange vinyl. Pre-orders for the new edition are available now via the Matador store.

Formed in Christchurch, New Zealand in 1987 as Nelsh Bailter Space, the band’s musical family tree touches on some of the nation’s most revered weirdo luminaries – including Flying Nun mainstays like the Skeptics, the Clean, and the Gordons.

Bailter Space (aka bailterspace) embraced chaos, but celebrated precision, finding melody amid networks of brooding noise and feedback. After relocating to New York City, the band – who by then included Alister Parker, John Halvorsen, and Brent McLachlan – arrived on Matador in in time for the US release of 'Robot World' (1993). 'Wammo' was the trio’s third and final full-length with the label (their fifth album overall) and was among its most tuneful efforts (relatively speaking!).

At the time, music scribes were a bit puzzled by the record’s “accessibility.” In the rear view, though, we can recognize 'Wammo' for the perfectly melancholy and drone-laced brain-zap that it is.

In July of this year, bailterspace released a new album, 'Concret'.

(Flying Nun are releasing a limited green vinyl edition of 'Wammo'.)


Wammo Tracklist
Untied
Splat
At Five We Drive
Zapped
Colours
Retro
Glimmer
Voltage
D Thing
Wammo

Bailter Space Online :

Facebook
Twitter 
Instagram
Bandcamp

Julien Baker - "Faith Healer" (Lyric Video)



"Faith Healer" - from the album 'Little Oblivions', out February 26, 2021

Though we've already released Daniel Henry's video for Julien Baker's "Faith Healer", this morning there's another visual take, Sabrina Nichols' lyric video for the first single from Baker's eagerly anticipated new album, 'Little Oblivions'.

stream / download "Faith Healer"
presave / preorder "Little Oblivions"

Julien Baker Online
Website
Facebook
Twitter
Instagram

Perfume Genius - "Without You" (Jim-E Stack Remix)



This morning we're releasing the Jim-E Stack remix of Perfume Genius’ “Without You,” taken from the critically acclaimed album 'Set My Heart On Fire Immediately'. Stack had previously collaborated with Perfume Genius and Empress Of on the single “When I’m With Him,” and also worked with artists including Bon Iver, Caroline Polachek, Haim and more. Stack said of the “Without You” remix, “to my ears a Perfume Genius album always embodies excellence, from the song-writing to the production to the mixing. Every word, note, and sound feels so purposeful while playing its role in each song and in the greater context of the album. I chose to remix ‘Without You,’ because something about it felt timeless and familiar but also grounded and confident. That gave me room to make a completely new instrumental around the vocal.” He went on to say, “even though Mike and I are friends and we’ve worked together in the past, I was admittedly intimidated by the task of remixing ‘Without You.’ Once I found a way to bring the song into my world, I started listening to the remix outside the studio and I knew I had done my thing. I just hoped Mike would want to listen to it too."

stream / download "Without You" (Jim-E Stack Remix)
Stream / purchase ‘Set My Heart On Fire Immediately

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Belle and Sebastian - "The Fox In The Snow"





Prior to the December 11 release of their hotly antcipated live album, 'What To Look For In Summer', Belle and Sebastian have made available another track from the collection of 2019 concert recordings,  "The Fox In The Snow"

stream / download "The Fox In The Snow"
presave/preorder 'What To Look For In Summer'

Belle & Sebastian online
Official site
Facebook
Twitter
Instagram

Coming December 9 : Muzz - 'Covers' EP



(photo : Driely S. )

Muzz have announced details of a new EP, 'Covers'. The four-track set, which sees the trio of Paul Banks, Josh Kaufman and Matt Barrick reimagine songs by Arthur Russell, Bob Dylan, Mazzy Star and Tracy Chapman, will be released digitally on December 9th.

'Covers' is as much an illustration of the bands collective inspirations as it is a sonic testament to their expansive imagination and fluidity as a musical outfit, imbuing the singular classics with a sense of wonder and awe that come together to a short but powerfully holistic set.



Arthur Russell's 'Nobody Wants A Lonely Heart' is deconstructed to its mesmerising foundations, with Banks' baritone gliding over Kaufman's submerged piano and Barrick's gentle shuffle. Bob Dylan's 'Girl From The North Country' is recast in a cobweb of acoustic guitars, swooning slides and ghostly vocals that slow-burn to a mystical crescendo. Elsewhere, Banks’ invocation of Mazzy Star’s 'Fade Into You' is fraught with raw emotion, set to a backdrop of palpitating percussion and arching strings. Tracy Chapman's 'For You' brings the set to a buoyant and moving close, punctuated by fluttering guitar runs, cinematic pads, and Banks' soulful delivery.

stream / purchase 'Covers'

Purchase/Stream Muzz

Muzz Online
Website
Twitter
Instagram
Facebook

VIDEO : Perfume Genius - "Some Dream"



"Some Dream" - directed by Charles Grant & Hunter Ray Barker

Today, Perfume Genius releases the video for “Some Dream,” taken from the critically acclaimed 'Set My Heart On Fire Immediately'. Directed by Charles Grant & Hunter Ray Barker and featuring Los Angeles Legend, pigman, Hadreas said of the inspiration, "The song is about the sort of dream world I keep myself in, in order to write. Sometimes I wonder if there will be real world costs for staying there too long. I don't want to pick my head up after a bunch of years go by and see a bunch of songs but nobody to love.” Grant said of the video, “I’ve loved Mike’s music for a long time. Marc LeBlanc is the star of the video - he plays the pigman. He’s an amazing actor and his performance in combination with how powerful and emotional Mike’s music is gave this whole project such amazing energy and spirit. Hunter and I are really grateful to have added to Mike’s creative world in a way that feels uniquely true to him, us and Marc all at once... We are all pigs.”

Stream / purchase ‘Set My Heart On Fire Immediately

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Coming January 15 : Mary Timony - 'Mountains' (20th Anniversary Expanded Edition)



photo : Brett Vapnek

To date Matador’s Revisionist History series has set its focus on the hallowed year of 1995 – surfacing critical releases by Pavement, Yo La Tengo, Guided by Voices, and Chavez.

Today, however, we whirl the dial on the in-house wayback machine and travel toward the future: the year 2000 and Mary Timony’s debut solo album, 'Mountains', which will be reissued on January 15th.

Remastered by Bob Weston, Mountains comes back to us as a gold foil-embossed gatefold 2xLP and will include the previously unreleased original takes of “Return to Pirates,” “Poison Moon,” and “Killed by the Telephone,” which were delivered along with the original master tapes 20 years ago, but were omitted from the final album. The record is completed by a newly recorded orchestral version of “Valley of One Thousand Perfumes” produced by composer Joe Wong (Russian Doll, Midnight Gospel) and mixed by Dave Fridmann.

At the turn of the century, Timony (Ex Hex, Wild Flag, Hammered Hulls) was already a celebrated presence in American underground music – a fixture of D.C. and Boston rock ’n’ roll via her work in Autoclave and Helium respectively. By 1998, though, Helium was drawing to a close and Timony was feeling uncertain about the future. “I had never been good at the rock' n' roll business, and making a living from being in a band just didn't seem like it was in the realm of possibility for me,” she writes. “I just knew I wanted to make another record because that was the part of being in a band that I liked the most.”

At the time of its original release, Timony called 'Mountains', “A Trip to the New Underworld.” “A bunch of hard stuff was happening in my life: family illnesses, people dying, people leaving, relationships ending. I fell into a deep depression,” she explains. “I tried new ways of making music: I tried writing songs without any filter at all, and I purposely didn't think about what the music would sound like to anyone else. I was only interested in describing what was in my head.”
Recorded and mixed in Boston alongside Christina Files and Eric Masunaga and in Chicago with Bob Weston, Mountains found Timony dialing into territory that was barer and more confessional than her work in Helium. Stark arrangements were augmented with newly ornate instrumentation -- piano, vibraphone, and viola -- and the lyrics were tinted with slyly occult imagery.

“Listening back to Mountains now I am struck most by how raw it sounds,” says Timony. “I hear the depression and angst, but also I hear all of that darkness disappearing through the power of music and friendship—and turning into songs during those happy and productive months recording and hanging out in Christina’s loft in downtown Boston.”

Today, you can also watch Timony in the Brett Vapnek-directed short film, "Dream Machine" (1999).



"Dream Machine"
written and directed by Brett Vapnek

stream/preorder 'Moutains'

stream / download "Valley Of One Thousand Perfumes (Orchestral Version)"
Tracklist
01. Dungeon Dance
02. Poison Moon
03. I Fire Myself
04. The Bell
05. Painted Horses
06. The Hour Glass
07. 13 Bees
08. The Golden Fruit
09. Whisper From the Tree
10. 1542
11. Valley of One Thousand Perfumes
12. Tiger Rising
13. An-deluzion
14. The Fox and Hound
15. Rider on the Stormy Sea
16. Return to Pirates (Kingston St. Session)
17. Poison Moon (Kingston St. Session)
18. Killed by the Telephone (Kingston St. Session)
19. Valley of One Thousand Perfumes (Orchestral Version)


Mary Timony Online
Twitter
Instagram

Julien Baker - "A Dreamer's Holiday"





(photo : Alysse Gafkjen)

Today Julien Baker shares her take on the holiday classic “A Dreamer’s Holiday.” The track is out via this year’s Spotify’s Singles: Holiday Collection which includes a wide range of covers and originals, from artists across a myriad of genres.
“I chose ‘Dreamers Holiday’ because I found it incredibly unique as far as holiday songs are concerned. It’s a very understated song- both lyrically and musically; while it’s technically about a ‘holiday’, it doesn’t directly reference any specific holiday theme, it leaves the lyrics a bit more open-ended. It's the same way with the music— the chord structure is complicated but surprisingly timeless to me even though the song itself is over 70 years old. It’s the kind of song whose arrangement can be re-imagined so many times, and I love the feeling of sonic potential a single like that gives me.” - Julien Baker

stream "A Dreamer's Holiday"

stream / download "Faith Healer"
presave / preorder "Little Oblivions"

Julien Baker Online
Website
Facebook
Twitter
Instagram

VIDEO : Perfume Genius - "Nothing At All" (LIve From The Palace Theater)



(cinematography: Adam Gundersheimer)

Perfume Genius' performance of "Nothing At All" from the recent "Live At The Palace Theater" livestream is now available to view on YouTube. The studio version of "Nothing At All" can be found on AOTY juggernaut 'Set My Heart On Fire Immediately', currently on sale at the Matador Store for 25% off (use discount code SAVE25)

Stream / purchase ‘Set My Heart On Fire Immediately

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Algiers - "Cleveland 20/20"





"Cleveland 20/20"



"Cleveland 20/20" (vocal mix)

Today, ALGIERS have released “Cleveland 20/20” a 50-minute expansion and re-imagining of their song “Cleveland.” Listen HERE.

In the original version – included on The Underside of Power (2017) – vocalist Franklin James Fisher used the track’s middle section to invoke the names of Black people killed by police or who died in extraordinarily suspicious circumstances and whose deaths were explained away as “suicide.”

“Cleveland 20/20” serves as a further meditation on the original in the context of the June uprisings and upcoming elections, ruminating on the tragic and perpetual violenc exacted upon Black people in the United States. It updates the recording to include the names of 232 additional victims who have been murdered subsequent to the song’s release as well as the victims of the Atlanta Child Murders which took place from 1979-1981. To accommodate the extension of this memorial, the song's newly re-imagined middle section spirals into a multi-movement collage of rhythm, noise, and sub-bass. Fisher concludes the recitation amid a spare and haunting 15-minute "vocal mix.” All together, “Cleveland 20/20” clocks in at just under an hour. Even with this extended memorial sonic space, the song points to the fact that many more people have been and continue to be killed by police or white supremacist citizens in America than can be said in 50 minutes or recognized in official statistics, including Elijah McClain, Ahmaud Arbery, Rayshard Brooks and scores others murdered at the intersections of race, gender and class.

In 2018, critic Greil Marcus praised the original version of “Cleveland” as a “monument.” “It has that size and that immovability to it. And these names are being chiseled on that monument. And the community that Algiers are creating in this song is a community of the dead, but a community in a song big enough and good enough – because this is a great song when you listen to all of it –- that in 10 or 20 or even 100 years when all of the people whose names Franklin Fisher chants are forgotten, and when Algiers is forgotten, and when this song is forgotten, and when somebody comes upon it, stumbles upon it and speaks to them as something absolutely new … they begin to go ‘Who are these people? What is this sound? Why does this person sound the way he does? What is being told?’. And that story will continue.”

The band will once again take over Adult Swim’s Instagram account on Tuesday, November 10th at 2pm ET.

stream / download "Cleveland 20/20"
stream/purchase 'There Is No Year'

Algiers Online :

There Is No Year
Facebook
Twitter
Instagram
Website

Coming December 11 : Gang Of Four 77-81 Box Set



(photo : Andy Corrigan)







"He'd Send In The Army" (live, 1981)

preorder Gang Of Four 77-81
"As a kid, I stumbled upon a copy of Gang of Four’s Entertainment! accidentally and it went on to become one of the most influential records of my life as a producer, lyricist and fan of music in general. Their sparse, unorthodox, riff heavy guitars and nasty, funky, in-the-pocket rhythm section drew me in, but it was their questioning of the world that kept me listening as I grew. I consider them a seminal band, whose influence and effect permeates the music world in a deeper way than many realize. Thank you, Gang of Four, for existing." - EL-P

On December 11th, Matador will release GANG OF FOUR: '77-81'', a stunning, limited edition box set gathering Gang of Four’s influential early work.

The box set contains Entertainment!' and 'Solid Gold' (both remastered from the original analog tapes), an exclusive singles LP, and an exclusive double LP of the never officially released 'Live at American Indian Center 1980'. Additionally, the package includes two new badges, a C90 cassette tape compiling 26 never-before-issued outtakes, rarities and studio demos from 'Entertainment!' and 'Solid Gold', and an epic 100-page, full-color hardbound book.

The book details the history and legacy of the original Gang of Four with never before seen photos, contributions from surviving original band members, rare posters, ephemera, flyers, essays, artwork, liner notes and more. It also marks the first official publication of their lyrics.

Gang of Four was formed in Leeds in 1976 by bassist Dave Allen, drummer Hugo Burnham, guitarist Andy Gill, and singer Jon King. The band pioneered a style of music that inverted punk’s blunt and explosive energies — favoring tense rhythms, percussive guitars, and lyrics that traded in Marxist theory and situationism. They put every element of the traditional “rock band” format to question, from notions of harmony and rhythm to presentation and performance.

This original lineup of the band released two monumental albums, 'Entertainment!' (1979) and 'Solid Gold '(1981). A third, 'Songs of the Free' (1982), was recorded with bassist Sara Lee replacing Dave Allen. After 'Songs Of The Free', Burnham departed the band and Andy Gill and Jon King continued on to release Hard in 1983. After this release, the band broke up. In 2004, the original quartet reformed for tour dates and released 'Return The Gift' (2005).

Gill’s untimely death in February 2020 was cause for many to once again re-examine the group’s catalog and the legacy of these early releases was widely cited. Not only did Gang of Four’s music speak to the generation of musicians, activists, writers, and visual artists that emerged in the group’s immediate wake, but the generation after that. And the generation after that, even.

In the last few years, their songs have continued to resonate with and been sampled by artists far afield including Run the Jewels (“The Ground Below”) and Frank Ocean (“Futura Free”). Now forty years since the original release of 'Entertainment!', Gang of Four’s legacy cannot be overstated.

(Please note this boxset is ony available in the United States. If you would like to order the boxset from outside of the US please send an email to: [email protected] with your name and email address with the subject line ‘Gang of Four Boxset’ to get the first news about ordering)
At Home We Feel Like Purists

Music, specifically pop music, is as much of a commodity as pork bellies. It's bought, packaged, sold, traded and has as little to do with the Platonic triad of beauty, goodness and truth as, well, pork bellies. And it hasn't just become this way. It's been this way. From its inception to now, its value is what's made it significant in the marketplace. But pressed against a wooden stage in New York at Hurrah's in the late 1970s, what stepped out on stage had nothing to do with any kind of commercial calculus. That I could see.

See, in 1979, after a steady diet of The Ramones, the New York Dolls, Klaus Nomi, fer chrissakes, and on the strength of the name alone, a single, the press and the locale, the Gang of Four was a must see. But wrapped in the earlier vaudevillian aspect of punk rock, new wave, no wave, and a sort of well-meaning but very extant schtick, expectations were in keeping with what had already been seen. But what had been seen would in no way prepare you for what you were about to see.

Four Brits, no leather jackets, no make-up, and outside of an opening song with about two minutes of unremitting feedback, no schtick.

"We all grew up around vaudeville. It was part of the zeitgeist," said drummer Hugo Burnham, from outside of Boston where he toils in academia and presently makes his home. But Gang of Four? "It was anti-schtick. And it was somewhat deliberate because we were serious about what we were doing but we weren't dour. We didn't go as far as the shoegazing thing."

Which is almost right. Gone was the clever art school quirk of Talking Heads or the mordant rumble of a Joy Division, musicians framing what we were understanding about new music at the time. Replaced instead with something that was equal parts both cool and hot, and when they tore into their set that night it was with a life-changing brio.

No "Hello Cleveland!" No foot on the front wedge rock god posturing, just songs and songs played like those that were playing them meant it. It, here, being coruscating takes on very precisely what it was we were doing while we were doing it. Again: not by accident. But very specifically, deliberately.

"We sat in pubs and talked about it," Burnham said. Right down to things like, "No fucking feet on the monitors."

What Burnham fails to mention and this is an amusing Rashomonesque feature of chatting with the three members still living – Burnham, singer/lyricist Jon King, and bassist Dave Allen – is that the no-feet-on-the-monitors "chat" didn't happen in a pub. King, in a call from London, offers an alternate scenario.

"It happened backstage after a show in what used to be Yugoslavia," King laughs. "And it involved a fistfight." So Gill and Allen settled things the old-fashioned way and while it's unknown who won, at the Hurrah's show there were no feet on monitors.

What there was though after the generalized sexlessness of punk rock -- from Johnny Rotten declaring sex "boring" and for "hippies" and Minor Threat's Ian MacKaye singing that he didn't fuck – was music and performance of said music that was as somatic as all get out and that very directly addressed love, sex, the politics of both, and their wider intersection with politics in total.

But first a little historical political perspective and a sense of the tableau upon which whatever Gang of Four was, was created. In the late 1970s in the U.K., there was 14 percent inflation, 18 percent in 1980, one in five adult males were out of work, interest rates were 14 percent, and there was massive industrial unrest.

"In '78 and '79 it was called the Winter of Discontent," King said of the hellscape that England had been even before Thatcher dug in. "There were piles of garbage four meters high in the street, people weren't going to be buried because there was a strike of mortuary workers and grave diggers, there were dozens of IRA terror attacks in mainland UK, there were plotters looking to pull a coup d'etat, plus Russian SCUD missiles in eastern Europe and Americans sending Pershing missiles to NATO, so threats of nuclear attack. Songs like 'In the Ditch' on Solid Gold? That was the context we were working with."

And given that context, a steadfast mark of Gang of Four's genius that they didn't zig into what was a popular pose at the time (and still really) and try to pull off the working class hero crap that had smart people dumbing down in the name of some sort of shopworn idea of what was authentic. That is, the Gang of Four were driven and obsessed with what middle class art school students should be obsessed with: making great music and art in and of the times they are living, fully realizing that you can't fake authenticity.

Which is when King zags and contemporizes it all. Like he does. Like Gang of Four did. "What's interesting is buying a cup of coffee now: they ask you 'what's your name?' and they insist on knowing what it is. These fake relationships masquerading as real relationships when we all know it's a masquerade."

"Look, in looking back I have decided I really like this sort of troublesome 21-year-old me who wrote these totally un-commercial songs," said King. But the charm, at least for the creator, is that "there's nothing in it that is an attempt to pander to people. And it may sound kind of stupid but I kind of thought of us as like a blues band."

"So I tried to avoid cliché, but it's quite difficult trying to not write about things that everyone else was writing about," King explains." But there's a reason hip-hop is the biggest genre in the world now and that's because it's got some authenticity about it; it talks about things that are actually happening. The world is a shit show now. To not write about it is a remarkable evasion of responsibility."

Something that wasn't missed in 1979 New York either with crime at an all-time high and the city collapsing financially. So mid-set when King dragged a metal crate on stage – "we later switched to a microwave," Burnham said – and started blasting it with a drum stick it was both the sound of the city and the times all at once.

Adding percussive elements in and from trash, well in advance of Einsturzende Neubaten and even Stan Ridgway from Wall of Voodoo who Burnham initially thought they had lifted it from ("No," corrects King), this was a perfect sweat-drenched statement of intent: Gang of Four absolutely were not fucking around.

And it was perhaps this quality specifically that drew the heavy. "We were political with a small P," said bassist Dave Allen who followed a post-Gang of Four career with music tech gigs at both Apple and Intel, which is how he ended up in Portland. "But we were fighting Nazis. The fascists that came to the shows. They would jump onstage when we were playing in London, skinheads, and they had knives." Allen, in general soft spoken, neither laughs nor smiles in the retelling. "The security guards would all run away. Having a big heavy bass in this instance helped quite a bit."

But before reforming in 2005, Allen was the first to leave Gang of Four, in 1981, and his leaving was part of that whole not fucking around piece and almost perfectly Gang of Four-ish. "EMI were always pushing us. They wanted us to make 'hits'. Be on the radio. Top of the Pops," Allen sighs. "That's not what we do. We don't make pop songs. But they had all of these pretty boys. Duran Duran…so I just felt like I had done enough."

And despite the fact though that 25 percent of the band is dead, 25 percent is talking to me via video chat, and 50 percent of the band is in America, the claim that there are no second acts in American lives? Clearly bullshit and so not a surprise at all when Allen says, "we need to find a guitarist."

The 2005 reunion only lasted a few years, but Andy Gill continued with replacement musicians and died right in the midst of touring with them. He left giant shoes to fill. But even considering trying to fill them? A straight-up damn the torpedoes move. To which they are well matched.

"When you try to audition a guitar player they just can't do it," Allen winds up. "They come in blasting thinking it is punk, but we were post-punk. It was us and Wire…"

It certainly was.

And in 1979 when the show at Hurrahs concluded, and they stood on stage for the briefest of moments, drenched in sweat, not smiling as they regarded us the audience, also drenched in sweat, and said "goodnight", it felt like marching orders. And they were.

For? For a murderer's row of people whose music not only kills but lives on in our cars, houses, phones, heads: The Pixies, Nirvana, Shellac, REM, Mission of Burma, Bush Tetras, Savage Republic, 10,000 Maniacs, Mark Stewart, Henry Rollins, Steve Shelley, Sofia Coppola, and more too numerous to name but no less deserving.

Now draw a family tree that across the past 40 years of influencing just about anyone making music, film, or art who proudly claims and proclaims some sort of spiritual connection to the Gang of Four and what have you? A veritable bildungsroman of the greatest things to just about ever happen to your fucking ears. Believe me. I know.

– Eugene S. Robinson (Oxbow)





Tracklist

Entertainment!
A1. Ether
A2. Natural’s Not In It
A3. Not Great Men
A4. Damaged Goods
A5. Return The Gift
A6. Guns Before Butter
B1. I Found That Essence Rare
B2. Glass
B3. Contract
B4. At Home He’s A Tourist
B5. 5.45
B6. Love Like Anthrax
Solid Gold
A1. Paralysed
A2. What We All Want
A3. If I Could Keep It For Myself
A4. Outside The Trains Don’t Run On Time
A5. Why Theory?
B1. Cheeseburger
B2. The Republic
B3. In The Ditch
B4. A Hole In The Wallet
B5. He’d Send In The ArmySingles
A1. To Hell With Poverty
A2. It’s Her Factory
A3. Armalite Rifle
B1. Capital (It Fails Us Now)
B2. History’s Bunk!
B3. Cheeseburger (Live) *
B4. What We All Want (Live) **Live at Hammersmith Palais

Live at American Indian Center 1980
A1. Not Great Men
A2. Contract
A3. Outside The Trains Don’t Run On Time
A4. Damaged Goods
B1. He’d Send In The Army
B2. Guns Before Butter
B3. 5.45
C1. Anthrax
C2. It’s Her Factory
C3. Ether
C4. Natural’s Not In It
D1. At Home He’s A Tourist
D2. Rosanne
D3. Return The Gift
D4. Glass

Cassette

SIDE A -The Early Demos (Various)

I) Rehearsal Room – Leeds, 1977-78

The Things You Do
What You Ask For
Armalite Rifle
Love Like Anthrax
Silence Is Not Useful
Disco Sound
Damaged Goods
Elevator

II) Cargo Demos – Cargo Studio, Rochdale

Song One
Song Two

iii) The Tapes – Poiydor Studios, Jan 1978

Essence Rare
Tourist
Return The Gift
5.45
Corked Up With The Ether


SIDE B – Abbey Road DemosFrom 5th January 1981 - (single track from cassette)

Why Theory
Cargo
Trains
Army
Disco/Funk
Dog’s Breath
Asshole
Cymbal
Reverb
Cheeseburger
Ditch

Gang Of Four online :
website
instagram
Facebook
Twitter
Gang Of Four / Matador Records

Coming December 11 : Belle and Sebastian - 'What To Look For In Summer' 2XLP/2XCD



[caption id="attachment_35649" align="alignnone" width="537"] Photo by @WillByington[/caption]

(photo : Will Byington)



"The Boy With The Arab Strap"
(video by Wide Eyed)



"My Wandering Days Are Over"
(video by Wide Eyed)

On December 11th, we're releasing Belle and Sebastian’s 'What to Look for in Summer', a live double album gathering choice selections from the band’s 2019 world tour, including last summer’s epic “Boaty Weekender” cruise.

Today, the band release new videos with the audio of live renditions of their classic songs “The Boy With The Arab Strap”, in a special near 8-minute version featuring the band in their respective Glasgow locations and a clip for “My Wandering Days Are Over,” (both above)

presave/preorder 'What To Look For In Summer'
stream/download "My Wandering Days Are Over"
All live records are a time capsule to some extent, but Belle and Sebastian’s 'What To Look For In Summer' is perhaps a bit more evocative than originally planned.

“We'd been badgered by our fan base to put out recordings of the shows,” frontman Stuart Murdoch teases. So they began multi-tracking their 2019 tour, including all three sets from the “Boaty Weekender” festival, which took place on a cruise ship. Which of those things feels more like an out-of-reach fantasy right now, simply seeing some live music, a festival, or getting on a cruise ship?

Whatever your answer, What To Look For In Summer takes you there. With COVID-19 cancelling not only 2020 live shows, but Belle and Sebastian’s plans to make a new record in Los Angeles, what started out as a between-albums, “for-the-heads” release wound up getting a bit more care and attention.

“It was something to focus on,” says Stevie Jackson. “That was very, very nice.”
“It was quite nice to be doing that when we couldn't even see each other,” echoes Sarah Martin.

When Murdoch polled Belle and Sebastian fans on Twitter, most said that their favorite live LPs were of a single concert. But hey, the fans don’t get to make the set list either. The band decided picking the best recordings from different shows was the way to go, taking their inspiration from such live albums as Yes’s Yessongs' and Thin Lizzy’s 'Live and Dangerous.

“For a while, the working title of the record was Live and Meticulous,” Murdoch says. “The record company really wanted it to still be called Live and Meticulous. But I don't like derivative things really.”

Neither a retrospective nor a back-door greatest-hits, What To Look For In Summer is the sound of a band that’s always moving forward, a picture of Belle and Sebastian in 2019 that gives equal weight to early days (“My Wandering Days Are Over,” “Seeing Other People”) and recent years (“Poor Boy,” We Were Beautiful”), with a track selection Murdoch says was almost random. “I’m a Cuckoo,” #2 on the band’s Setlist.FM stats, didn’t even make the cut. But you get three songs from 2000’s Fold Your Hands Child, You Walk Like a Peasant (which the band played in full at the Boaty Weekender).

You also get a full picture of a group that’s always been built around Murdoch’s songs, but has three other writers in Jackson, Martin and guitarist Bobby Kildea (with all songwriting credits shared by the entire band). Martin, in particular, has become more and more prolific as a songwriter and lead vocalist over the past decade - her “I Didn’t See It Coming,” with its indelible refrain (“make me dance/I want to surrender”) is always a highlight, as is her show stopping vocal on “Little Lou, Ugly Jack, Prophet John,” originally sung by Norah Jones on 2010’s Write About Love. “It's always a little bit of a moment when she steps up and goes into the song,” says Murdoch.

Once a more introspective live group (Stuart's staying in and he thinks it's a sin/That he has to leave the house at all,” they sang on 1998’s “This is Not a Modern Rock Song”) Belle and Sebastian’s live shows for the past two decades have featured both an incredibly high level of musicality and a bit of a variety-show vibe. At one point on the album, Murdoch wonders why the band stopped its tradition of having someone bring gin cocktails to the stage mid-set.

“It just feels like you're having your friends around for dinner and you want everything to be right,” he says. “No matter how miserable your songs are - maybe most of the fans have learned to love these songs in a bedroom or a kitchen - when you come out to a show, it's a different thing. You just want everybody to feel good.”

Never is that more true than towards the end of every show. “The Boy With The Arab Strap” is both Belle and Sebastian’s “Born To Run” - they’re never not gonna play it - and their “Dancing in the Dark” to the nth degree, as scores of fans end up on stage for a bit of participatory dancing. It's a once-in-a-lifetime highlight for the kids, an occasional nightmare for the band’s production manager, and the greatest bit of fun for everybody else. Sometimes Jackson has to fight his way through the dancers to get back to the mic for his harmony vocals, while Martin gets a close-up view of people surrounding Murdoch on stage, or sometimes even hijacking the song. “I kind of enjoy it when people overstep the line,” Martin admits. “But not with me!”

Murdoch never gets tired of playing it “I genuinely look forward to it,” he says. “If the concert’s going great, it just feels like a natural vibe. And if the concert’s going okay - maybe it's a Sunday night and everybody’s a little bit flat, or still in their seats - it’s definitely the time to send it home.”

He also never gets tired of playing, period. “Touring the band is something that I never thought we'd do. It’s turned into the thrill of a lifetime, really, in a manifest, physical way. It's just the nicest experience that I think I've had in my life.”
— Jason Cohen

tracklist :

1. The Song of The Clyde £ >
2. Dirty Dream Number Two *
3. Step Into My Office, Baby *
4. We Were Beautiful +
5. Seeing Other People %
6. If She Wants Me @
7. Beyond The Sunrise &
8. Wrapped Up In Books +
9. Little Lou, Ugly Jack, Prophet John $
10. Nice Day For A Sulk (digital only) #
11. I Can See Your Future *
12. Funny Little Frog ^
13. The Fox In The Snow+
14. If You’re Feeling Sinister*
15. My Wandering Days Are Over*
16. The Wrong Girl #
17. Stay Loose%
18. The Boy Done Wrong Again #
19. Poor Boy%
20. Dog On Wheels%
21. The Boy With The Arab Strap+
22. I Didn’t See It Coming+
23. Belle And Sebastian #

£ recorded Banchory Studios, Glasgow, August 6th, 2020 (digital version)
> recorded by Kenneth McKellar (vinyl + CD versions)
* The Boaty Weekender, August 10th, 2019
+ Royal Oak Theatre, Michigan, July 21st, 2019
% Union Transfer, Philadelphia, PA, July 12th, 2019
# House Of Blues, Boston, MA, July 13th, 2019
^ M-Telus, Montreal, QC, July 15th, 2019
@ Carnegie Hall - Pittsburgh, PA, July 18th, 2019
& House Of Blues, Cleveland, OH, July 19th, 2019
$ Auditoria Baluarte, Pamplona, Barcelona, November 4th, 2019





Belle & Sebastian online
Official site
Facebook
Twitter
Instagram

Out Today : Chavez - 'Gone Glimmering' (25 Anniversary Edition)





(photo : Michael Lavine)

As we mark today's eagerly awaited formal release of Chavez' 1995 classic, 'Gone Glimmering',  we'll take a brief break from posting front-row videos of their performances to instead showcase Gordon Withers' interpretation of the band's "You Faded".  Though this performance is not found on the 'Gone Glimmering' reissue (just being thorough here -- you wouldn't believe the stupid questions we're asked all the time), more information on Withers' work can be found here.




stream/preorder 'Gone Glimmering' (25th Anniversary expanded edition) -

Chavez Online :
Chavez at Bandcamp
Facebook
Chavez at Matador

2020's Albums Of The Year (And Almost Everything Else) ; 25% Off At The Matador Store



so there's another (possibly less important) campaign happening and we'll be damned if Matador's not gonna figure squarely in the album of the year results. So here's your chance to stuff the (virtual) ballot box and save 25% on any of our vaunted 2020 releases. We're so intent on buying your affections, you can save 25% on anything from the label catalog except preorders.


sale code : VOTEMATADOR …

Sign up for Matador updates