October 1 - Babylon Club, Ottawa, Canada
October 11 - Belly Up Aspen, Aspen, CO
October 12 - In The Venue, Salt Lake City, UT
In honor of this exciting announcement, I thought about posting a YouTube clip of Ira and Georgia performing at Waterfront Records in 1988, but you're probably gonna get plenty of that sort of thing in Jersey City tonight.
So instead, here's Dr. Gene Scott. Have a wild weekend!
Perhaps not, but Early Mike's gonna serve it up, anyway.
Early Man have the following gigs planned for October :
October 13 - Neumos, Seattle, WA
October 15 - Hell's Kitchen, Tacoma, WA (with 3 Inches Of Blood)
The shows starts with Nate walking on to the powerful filmed imagery of the rose emerging from a cows uterus. The screen is massive (as is the stage) Disembodied plastic gloved hands manipulate both flower and body part. The song this accompanied, "Tract For Valerie Solonas", ends with Martin playing a large inflated helium balloon. "YTTE" proves to be a crowd pleaser. "Roses and Teeth For Ludwig Wittgenstein" is propelled by Nate and Zeena using bunches of red roses as drumsticks. Petals fly into the air leaving the centre stage with a carpet of red. "Germs Burn For Darby Crash" starts with the unsettling footage of a cigarette burning Drews forearm and the gasp of his pain. An audience volunteer has his head shaved into a Mohawk with an amplified electric shaver by Martin. As the performance ends the audience calls for an encore. The house lights go up but people want more. After another song the band have to return to the stage to a standing ovation. Paris loves Matmos! And so do I. Both the London and Paris shows were stunning in their own right.
And some shirts never go out of style.
(photo courtesy of More Cowbell)
Anyways, the entire Matador Europe staff (me, Mike & Lucy), ex-Matadorian and super-publicist Sarah, and super Beggars radio lady Ruth all went to see Mogwai on Friday at the Royal Albert Hall. Now, this made me nervous for a couple of reasons - namely that we'd be going straight after work, which means I'd have to go to dinner with my aforementioned colleagues. Not that I don't want to eat with them or anything, it's just that my palette (when it comes to food) is, um, limited. The last time I went out to dinner with work people was last Christmas with Mike, Sarah, Patrick and Try Harder Records* supremo Alan English, and it was pretty excruciating because it was a very expensive French restaurant and I didn't want to make a foodie faux-pas, what with me really only liking chicken and chips. I wasn't actually a Matador Records employee at this stage either, so I was sure any display of weakness or lack of etiquette would eradicate any chance of a job I might have. I thought my best option was to order the Steak Tartare, thinking 'Ah, steak with tartare sauce. I can just scrape the tartare sauce off, and no-one will be any the wiser, ho ho'. Some of you will be surprised to learn that Steak Tartare is actually raw meat mashed up into a kind of pudding. Not nearly as surprised as me. I nearly cried when I saw it. Summoning up all the courage I could muster, I told myself 'You're just going to have to eat it, or you'll look like a tool'. Luckily Mike, by intuition (or by the look of poisoned anguish on my face) noticed that Steak Tartare may not be my thing, and shared some of his...I can't remember what it was, but anything other than raw mashed-up meat was good enough for me. But obviously, I work here now, so that story had a happy ending - they obviously found my fear of food endearing.
Where was I? Oh yeah, having to go out to dinner with work people. Thankfully, we went somewhere that didn't intimidate me too much (I was able to get sausages - phew) and had a lively discussion about Christian mythology and R Kelly.
Now, Matador don't handle Mogwai's records in Europe, so I can gush all I want about their awesomeness without being accused of nepotism. To begin with, the Royal Albert Hall is MASSIVE. MASSIVE. I'd never been before and it's just...MASSIVE. It usually plays host to operas and orchestral stuff. We got in about 10 minutes from the end of Kid606**'s opening set, and it sounded remarkably like Jesu***. Does his new album all sound like that? It was very good, and considering the last two times I saw him he did 40 minutes of scorching noise and 1 hour of gabba respectively, it was nice to hear him kick back a little bit. 20 minutes later, the lights went off and Stuart came on to pluck the opening chords of 'Christmas Steps', one of many moments tonight where I thought 'They're doing this? Wicked, I can't wait til it gets to the noise bit'. As a set, it was a perfect summation of Mogwai's music - they did quiet stuff, they did the loud stuff, they did old and new stuff in equal measure. Hearing 'Tracy' live for the first time in aaaages was lovely, even more so when it transformed into 'Mogwai Fear Satan'. It's kind of useless to repeat the same things that everyone says about Mogwai (live or recorded), but they are so visceral live it's untrue. During the closing 'My Father, My King' (oh yes) it was noise heaped upon noise, and when you think it can't get any louder, someone steps on another pedal and it feels like they're taking a drill to your eardrums (in a good way). 'My Father, My King' was so good, that when it was over it felt as if I hadn't breathed for the previous half hour. Really, when Mogwai are good there's not much that's better than them. When they're bad, they still fucking rule.
Because WordPress is having an off-day and not letting me link to things, here's some further reading:
Long before the phrase "make poverty history" was coined, some very brave persons did their part. You Tube link taken from WFMU's Beware Of The Blog.
November 21, Electric Factory, Philadelphia, PA
November 22, Hammerstein Ballroom, New York, NY
November 24, Majestic Theatre, Detroit, MI
November 25, Rivera Theater, Chicago, IL
November 26, Mississippi Nights, St. Louis, MO
November 28, Meridian, Houston, TX
November 29, Gypsy Ballroom, Dallas, TX
(Silversun Pickups play 1st on all dates, Dead Meadow 2nd)
Touring with Mason Jennings in support of her magnificent Matador debut, 'Over the Mountain, Across the Valley, and Back to the Stars', Jennifer O'Connor has the following free instore gig coming up :
Tuesday, September 26th at 7PM
466 Moreland Avenue
In addition, there's a post-show meet & greet par-tay happening tomorrow night at the Independent Bar, 3rd and Central, St. Petersberg, FL. If you're an old friend of Jennifer's, be sure to stop by. If you're a new friend, you're equally welcome to come 'round (except you might have to buy your own drink).
(from left to right : Braithwaite, Ewok)
An interview with Stuart can be found at the official Star Wars website
Mogwai's contributions to the original score of Darren Aronofsky's "The Fountain" can be heard next week when the long awaited followup to "Requiem For A Dream" is screened at Austin's Alamo South as part of the 2006 Fantastic Fest. Aronofsky will be on hand for a little Q and A, and prior to "The Fountain", they'll be showing René Laloux’s "Fantastic Planet".
Mogwai headline Glasgow's Barrowlands tomorrow night, and they'll be at the Manchester Academy on Sunday.
The September News Report has been posted. Regular blog readers may find some stuff they already know, but there's plenty of new tidbits as well.
On September 30th 2006, Rogue Wave will host a benefit concert at The Independent in San Francisco to raise money for drummer Pat Spurgeon, who is in desperate need of a kidney transplant. The benefit concert will feature performances by Rogue Wave, Ben Gibbard (Death Cab for Cutie,) Matthew Caws (Nada Surf,) Ryan Miller (Guster,) John Vanderslice, and other special guests. Daniel Handler (AKA Lemony Snickett) will MC the event.
Expect a nice ole package of CDs to raffle off, kids.
Puddlegum has more details.
Official Rogue Wave site
Rarely do we break into regular programming around here to toot our own horn when it comes to something as crass as actual-record-sales, but this is kind of a special occasion. The new Yo La Tengo CD / 2 X LP / digital wacky-pack 'I Am Not Afraid Of You And I Will Beat Your Ass' enters this week's Billboard Top 200 at no. 66, making it the highest chart entry and best first-week seller of the band's illustrious career.
Though I'd like congratulate Ira, Georgia and James on this commercial achievement, clearly, a big share of the credit is due to Matador's hard working street team.
If you had any difficulty finding copies of Mastodon's excellent 'Blood Mountain' last week, I sincerely apologize. We're just doing our job.
If you'd like to join the celebration from the comfort of your own lonely hovel, we're accepting video submissions at iamnotafraidofyouandiwillbeatyourass.com. This could be your big chance to become as big a global internet sensation as these guys.
Not since Mo Levy had John Lennon round to the barn for some beers has a record label been nearly as vault-plundering as Matador's treatment of Pavement's classic oeuvre. Well, I suppose Mystic and Cog Sinister come to mind, but as neither have blogs (or crack art deparments), I'll leave them out of the discussion.
In the rich tradition of our mega-deluxxxe reissues of 'Slanted & Enchanted' and 'Crooked Rain, Crooked Rain', we're pleased to announce the November 7 re-release of Pavement's widely misunderstood 3rd album, 'Wowee Zowee', henceforth entitled, 'Wowee Zowee : Sordid Sentinels Edition'
the full track listing :
01 We Dance
02 Rattled by the Rush
03 Black Out
04 Brinx Job
06 Serpentine Pad
07 Motion Suggests Itself
08 Father to a Sister Of Thought
10 Best Friend's Arm
11 Grave Architecture
12 AT & T
13 Flux = Rad
14 Fight This Generation
15 Kennel District
17 Half a Canyon
18 Western Homes
19 Sordid [previously unreleased Wowee Zowee session outtake]
20 Brink of the Clouds [Rattled by the Rush b-side]
21 False Skorpion [Rattled by the Rush b-side]
22 Easily Fooled [Rattled by the Rush b-side]
23 Kris Kraft [Father to a Sister of Thought b-side]
24 Mussle Rock [Father to a Sister of Thought b-side]
25 Give It a Day [Pacific Trim EP]
26 Gangsters & Pranksters [Pacific Trim EP]
27 Saganaw [Pacific Trim EP]
28 I Love Perth [Pacific Trim EP]
29 Sentinel [previously unreleased Wowee Zowee session outtake]
01 Sensitive Euro Man [I Shot Andy Warhol soundtrack]
02 Stray Fire [previously unreleased Wowee Zowee session outtake]
03 Fight This Generation [recorded March 3, 1994 at Hilversum, Holland]
04 Easily Fooled [recorded March 3, 1994 at Hilversum, Holland]
05 Soul Food [Wowee Zowee jam session w/Doug Easley on piano]
06 It's a Hectic World [from Homage to Descendents tribute album]
07 Kris Kraft [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
08 Golden Boys/Serpentine Pad [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
09 Painted Soldiers [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
10 I Love Perth [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
11 Dancing With the Elders [from Medusa Cyclone/Pavement split 7"]
12 Half a Canyon [live; Wireless JJJ Radio, Australia, July 7, 1994]
13 Best Friend's Arm [live; Wireless JJJ Radio, Australia, July 7, 1994]
14 Brink of the Clouds/Candylad [live; Wireless JJJ Radio, Australia, July 7, 1994]
15 Unfair [live; Wireless JJJ Radio, Australia, July 7, 1994]
16 Eaily Fooled [live; Wireless JJJ Radio, Australia, July 7, 1994]
17 Heaven Is a Truck [live; Wireless JJJ Radio, Australia, July 7, 1994]
18 Box Elder [live; Wireless JJJ Radio, Australia, July 7, 1994]
19 No More Kings [from Schoolhouse Rock! Rocks comp]
20 Painted Soldiers [from Kids in the Hall in Brain Candy soundtrack]
21 We Dance (alternate mix) [previously unreleased Wowee Zowee session outtake]
The sort of lavish, jaw-dropping packaging that you've come to expect from our previous Pavement reissues? We're on it. Cryptic hints of a band reunion that may or may not occur this decade? You can get them somewhere else, we're not trading in such conjecture. But there's more than enough meat to chew on here, and I for one am looking forward to a nifty trip down memory lane to the day in 1996 when Larry Clark suggested (with a straight face) that Tom Surgal "should be put in jail" for the "Rattled By The Rush" video.
Tom of course, had the last laugh. He wasn't the one who directed "Bully".
Our boy Dodge at My Old Kentucky Blog has a sneak preview.
Yes, we know the bulletin board's down. I received 2,428 automated emails about it between 7:34 PM and 12:19 AM Eastern tonight. One is generated every time someone tries to view a forum or post. If nothing else, it shows how popular our BB is.
We have notified our server admin and hope to be back up tomorrow morning. Nothing is likely to happen tonight (or this morning for those of you in time zones further east).
Sure. We get some letters. A lot of letters. Like this classic one. But, this latest might take the cake. Why? Because it's not restraining order worthy nor is it demanding money back in exchange for returning some downloads. No, the stars have aligned for this Mr. Tough and this one band (who he seems to own more than one album from):
Hi. I am a citizen of Glagow in Scotland, and my name (as you may see) is Michael Tough. Interestingly, Yo La Tengo's latest single release in the UK is entitled Mr. Tough. I have been aware of Yo La Tengo since I bought their single Danelectro (version 2 of which is on the playlist for my funeral - when it comes), and have purchased a couple of albums since, namely Prisoners Of Love and the current I Am Not Afraid Of You....
I tried to purchase the single Mr. Tough, but none of the major or independent stores in Glasgow had it listed, leading me to believe it is only available as a download. Would this be correct?
The point I am trying to get round to, though, is this; would there be any promotional material available for the current single? It is not every day that a record is realeased with one's name as its title, and this 'novelty' holds an appeal. I saw some cover art for the single on a couple of download sites, but am reluctant to print and copy it on to a t-shirt, for example, for copyright reasons. As I now have the song on hard copy twice (once on the album and once, ironically, from a free new-release compilation CD given away by HMV when I bought the album) I see less need to buy the single if indeed it is available on hard copy.
If there might be any promo items with the Mr. Tough text and imagery that are lying around the office and looking for a home with a real Mr. Tough (by name only, and not so much by nature to be honest) then I would be happy to provide that home and very appreciative. In the offchance that you could please help me in my quest, may I provide a postal address upon request at a later time? Thankyou for taking the time to read this essentially begging letter, and I hope it doesn't bother you .
Mr. Michael Tough
We have since learned he has a cousin Ronnie. Can someone get this guy onto that helicopter?
Related: Yo La Tengo do Mr. Tough (YouTube)
In February, Yordy unveiled the FoxFaith logo at the National Religious Broadcasters convention in Nashville, bringing the normally skeptical crowd to its feet. Seeing the label on the big screen formalized the commitment from Fox, Yordy said.
Three years earlier, the idea of launching a Christian label at Fox was considered a joke, but Yordy said the use of humor helped win the convention-goers' trust this time around.
"The approach we took was … 'At Fox, you may know us for our quality family programming,' " Yordy said he told the audience, against a backdrop of video clips from Paris Hilton's "The Simple Life" and the reality show "Temptation Island."
"The room just died laughing," he said. "I said to them, 'That is exactly what you expect from Fox. But that is not what we at FoxFaith are"
FoxFaith's biggest splash came in July at the International Christian Retail Show in Denver, the largest annual gathering of Christian retailers in the nation.
Inside a massive white tent across from the Denver Convention Center, a studio-sponsored event had all the earmarks of a Hollywood fete: a lavish buffet, an exclusive movie preview of 20th Century Fox's upcoming family-friendly horse drama "Flicka" and acrobats from Cirque du Soleil. Because it was a Christian convention, no alcohol was served and the performers' costumes were inspected to ensure demure necklines.
Earlier in the program, a researcher from the University of Leicester was asked to characterize the typical Yo La Tengo fan. He presumed that he or she would be highly educated, not particuarly highly-paid, and most curiously, not a pet owner.
With all due respect, what the fuck?
Producer Bob Rock recently told Reuters that he feels "20 years younger" after his split with METALLICA, whose albums he had produced since 1991.
The Canadian producer parted company with the metal titan earlier this year and is now devoting his energies to other artists and a return to his own recording career.
According to the 52-year-old Rock, "My life is now about my wife and kids, and recording other bands."
Rock first teamed with METALLICA for its self-titled 1991 album (aka "The Black Album"). The Elektra set debuted at No. 1 on the Billboard 200 and stayed on the chart for 281 weeks. Rock helmed METALLICA's subsequent albums, through 2003's "St. Anger".
A behind-the-scenes look at that tumultuous project was featured in the following year's unflinching documentary "Metallica: Some Kind of Monster". A petition that some 1,500 fans signed subsequently was posted online calling for METALLICA to dump Rock, claiming he had too much influence on the band's sound.
"The criticism was hurtful for my kids, who read it and don't understand the circumstances," Rock says. "Sometimes, even with a great coach, a team keeps losing. You have to get new blood in there."